A man (Christopher Abbott) walks into a bar and says. "I'll have the early bird special." The bartender says, "We're closed." So we know who the killer is as the film switches to Sam (Jon Bernthal) a retired rodeo rider and motel manager, the place where the killer stays.

The rodeo thing didn't tie back into the script. Normally when you introduce something like that, it should tie back in. The film is a slow burn without an over whelming climax. Filmed in Canada, the location was supposed to be a small community near Roanoke, Virginia. Acting was fine, drama a little slow.

Guide: F-word. Sex. partial nudity.

When Crime goes wrong could be a different title. This movie is not flashy though. There is violence, there is quite a lot of Drama, but I guess some might think there is a lot more to this or rather, there could be a lot more to this. It's still quite low and slow and far from out there.

The pacing fits the acting and the overall storytelling. If you let yourself into that mood you will watch a movie that is worth it. If it is not your cup of tea, you will be annoyed and maybe even bored. As some reviews have shown here. It is like this with (almost) every movie. Love it or hate it, the quality is there and the story arc holds up

Greetings again from the darkness. Murders-for-hire evidently have a better success rate in real life than in movies, because cinematically speaking, they usually result in quite the mess for all involved (and some who aren't). Fresh off the 2012 Black List for best unproduced scripts, the screenplay from twin brothers Benjamin China and Paul China offers up a neo-noir with a familiar enough premise in a not-so-familiar setting.

Director Jamie M Dagg offers little chance for us to settle in, as a violent and seemingly senseless triple murder occurs within the first few minutes. We get our Bang Bang, with the Kiss Kiss soon to follow. The usually friendly game of poker among friends goes south quickly thanks to Elwood (Christopher Abbott, IT COMES AT NIGHT),a stranger in town. We soon enough learn that he is in town on "business", and now that the job is done, he expects to be paid.

Elwood not-so-patiently awaits his pay day while staying at the Sweet Virginia Motor Motel. It's a simple inn inherited by, and now run by, Sam Rossi (Jon Bernthal) – a former rodeo star who these days battles multiple physical issues with pain dulled only by his morning weed ritual, and an ongoing affair with one of the ladies recently widowed by the Elwood's gun. Sam is shaggy looking, mellow and quite a pleasant fellow who seems like many in this quite small Alaska town … living here for the solitude and anonymity.

Imogen Poots plays Lila, and Rosemarie DeWitt plays Bernadette. Their unhappy marriages of 3 and 18 years respectively have ended abruptly, and while neither is much into grieving, they both have new problems with which to deal. There is an unusually scarce police presence given that a triple homicide of local citizens has just occurred, but the focus here is on the four main characters, and especially on the two men.

Elwood is exceedingly high-strung and prone to violent outbursts, while Sam is congenial to all, and generous with his time and advice to local high schooler and motel employee Maggie (Odessa Young). To ensure that no viewer is left behind, there is a diner scene that emphasizes the polar opposite personalities of Elwood and Sam. Rather than pack the intended punch, it mostly just comes across as obvious and unnecessary. And that in a nutshell, is what keeps the film from being a bit more intriguing.

While there is not a lot of excess talking, death hovers over most scenes and conversations. The connection between Sam and Elwood marks the sometimes easy bond of strangers, while the fractured marriages of Lila and Bernadette show how character flaws are unveiled over time. Jessica Lee Gagne's cinematography and the slow pacing to match the setting are both to be admired, but the film lacks any type of artistic or stylish differentiation, and relies solely on the fine performances of the cast. It's certainly no BLOOD SIMPLE or HELL OR HIGH WATER, but it's interesting enough to hold attention for 90 minutes … despite the mess being all cleaned up and tidy by the end.