Once again, Republic Studio brings together a great cast in a superior Western tale. Payne is the discredited scout, Pickens his side-kick, hired to guide a wagon full of guns through hostile Indian territory. As the action unfolds, Payne must overcome the hostiles, gun-runners and his own prejudice to win out. There is a lot of suspense here, and never a dull moment. An excellent watch!
Santa Fe Passage
1955
Action / Western
Santa Fe Passage
1955
Action / Western
Keywords: native americanwagon trainscout
Plot summary
Scout and wagon-train guide Kirby Randolph hates all Indians, particularly Kiowa Chief Satank, whose massacre of an entire wagon-train of settlers led by Kirby, has led to his ostracism and neither he nor his pal Sam Beekman can get jobs. Aurelie St. Clair, who owns half of an ammunition shipment for sale in Santa Fe to Mexican insurrectionaries, protests when he partner Jess Griswold hires Kirby and Sam as guides. When Kirby saves them all from a wild horse stampede instigated by Satank, she changes her mind and she and Kirby fall in love, although Kirby does not realize she is half-Indian. Jess, who is also in love with Aurelie and wanting to get rid of Kirby, sends his servant Chavez to Satank offering to deliver Kirby to the Chief in return for safe passage for the wagon train. But, Satank plans to get both Kirby and the wagon train.
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A great cast in a superb Western.
One of Witney's Best!
Although this is director William Witney's best film, it seems to have been overlooked by most critics, including Paul Simpson who doesn't even mention Witney at all in his "Rough Guide to Westerns" (2006). Witney was the guy who turned Roy Rogers from a singing clothes horse into a tough hell-fighting hero. This film, however, stars John Payne, then at the height of his box office appeal, thanks to vigorous promoting by Howard Hughes at RKO. Yet somehow the Payne name didn't work its usual magic. In fact, the movie suffered a bad break right from the beginning. Although it was made on an "A" budget, it wasn't even released in New York. Consequently, no reviews from the country's most prestigious critics. Even a thumbs down collection of reviews from New York is better than no reviews at all. Anyway, although there are a few obvious studio scenes, this little gem was photographed for the most part on actual locations in Utah. Director Witney and his photographer make such atmospheric use of desert browns and reds sharply outlined against powerful blue skylines, the film is always a wonder to look at. It's chock full of action and great stunts (never mind that some of the stunt players are a little too obvious at times),but nevertheless directed with a bit of style as well as pace and vigor. The interesting support cast lines up Rod Cameron – playing the heavy for once – and Leo Gordon giving his usual vigorous study in villainy. No expense was spared on full throttle running inserts for the action spots. At 90 minutes, the movie is maybe a bit talky, and the plot is pretty predictable. But all the same, it's entertaining, exciting, and great to look at. Based on an Esquire magazine story.
"I don't like any Indians, I like half breeds less."
John Payne's character spouts all the native Indian racist and anti-feminist diatribes he can muster in this wild west actioner taking place on a pack train to Santa Fe. Kirby Randolph (Payne) and his partner Sam (Slim Pickens) look to redeem themselves from a prior scouting job that ended in disaster for settlers on a wagon train passing through Cottonwood Draw. This might be the first time I've seen an Indian tribe actually get drunk on screen, as Randloph's attempt to placate Chief Satank (George Keymas) only gets him fired up for revenge.
Credit the film makers with a significant historically accurate scene in which the main street of a Western town consists of about six inches of mud. You get to hear Payne in his role as the wagon scout refer to men required for point, swing, and drag duty. The film also has a great action scene involving a horse stampede that threatens the Griswold party, full of colorful sequences and quite well done.
At the center of the story lies a romantic triangle involving Randolph, his boss Griswold (Rod Cameron) and Griwswold's partner and expected future wife Aurelie St. Clair (Faith Domergue). The revelation of St. Clair's heritage as daughter of a Kiowa mother brings out a few more Injun clichés before the story's progress brings Randolph full circle in his thinking about accepting individuals on their own merits. By the time the Kiowa's make their final attack, Randolph can say "I won't have a squaw who won't take orders" with a nod, nod, wink, wink, and have St. Clair accept it with an understanding smile.
The one thing that kept distracting me though was the casting of Irene Tedrow as St. Clair's aide Ptewaquin. I never quite caught on that she would figure in one of the story's twist endings, probably because I kept trying to figure out where I'd seen her before. Checking out her career credits, now I know.
Best line of the picture - Satank describes the Mexican Chavez (Anthony Caruso),ally of Griswold - "Don't like him, stink too much, like dead buffalo." It conjures up as colorful a picture as the traitor McLawery (Leo Gordon) winding up as buzzard bait.