Was drawn into seeing 'Negative', with a cool poster/cover, a promising trailer, an intriguing premise and as someone with a general appreciation for drama/thrillers. That it was low-budget, which from frequent personal experience is rarely a good sign due to that there are so many poor ones out there, made me though apprehensive.

It is sadly however yet another film seen recently, hence some reiteration because the exact same strengths and flaws are here present in those films, that to me was incredibly disappointing considering its potential which it doesn't do anywhere near enough with. 'Negative' is lacklustre, with so many huge flaws and doesn't do enough with its potential, which was hardly small. There is not much to recommend in 'Negative'.

Lets start with the positives.. The scenery is atmospheric and spooky, and is surprisingly well shot.

'Negative' also starts off promisingly, it does intrigue and it does have creepiness in parts.

There is the odd assured directing touches and Katia Winter is quite good.

Going on to the negatives, the story does feel over-stretched and some of it comes over as vague and under-explained in the last third where the film especially became duller, more predictable, more senseless and less unsettled and never gaining momentum. Too many characters are too sketchy and with nowhere near enough to make one want to endear to them. Their annoying and illogical decision making and behaviours frustrates.

Making the film feel bland and forgettable with not enough heart put into it. The effects are ropy at best, the sound quality is obvious and utilised cheaply (being too loud in the build ups and people's reactions) and excepting the quite good Katia Winter the acting isn't great, Sebastian Roche coming off worst, and the chemistry is bland.

Dialogue can be stilted and rambling while the pace and film drags on forever after such an intriguing start and doesn't recover. Even the ending however is botched, due to being so afterthought-like and with no sense of how to end it. Found too many of the supposedly shocking moments not surprising or scary and the supposedly creepy atmosphere dreary, due to the excessive obviousness, a lot of dumb and vague moments and explanations and the lack of tension and suspense.

A lot of 'Negative' has underdeveloped plot elements and often nonsensical and confusing character motivations, while too many of the things to make you shocked are far from creative or unsettling.

There is not enough threat here and what there is of it tends to be used poorly, while it is unimaginative and is more odd than scary or suspenseful, completely failing to show any sense of horror. Some badly sagging momentum too and a lot of weirdness. The direction is uneven, with some assured moments but a lot of ill-at-ease ones too.

Concluding, lacklustre but not without its moments. 4/10 Bethany Cox

Natalie (Katia Winter) has a great opening scene in a Chinese restaurant that we don't see, which is out first clue. In a park, Hollis (Simon Quarterman),a lonely sad sack photographer, snaps a photo of Natalie who somehow manages to find his apartment and demands the photo back. In what amounts to a semi-abduction Hollis goes off with Natalie who has a bag of cash, a gun, and 2 passports, but that is where the Jason Bourne comparisons end. At this point you expect some kind of Bourne tactics, but instead our couple drive a Volvo across the desert and fill us in with background that didn't help the film.

What we find out is that Natalie can take a punch to the face, but the dialogue was Jason Statham bland by design and it lacked the action. Did I mentioned they were driving a Volvo? Who carries a box of strike matches around instead of a Bic? Guide: F-word. No sex or nudity.

The previous reviews are not wrong about this movie's far-fetched plot. Basically, a professional photographer takes a random photo of a woman in an LA park. Next thing, the woman shows up at his apartment to claim the photo and negative. Then, bad guys show up and the guy and woman go on the run to Phoenix. The woman turns out to be some sort of english secret agent, who has been declared EOS (execute on sight) by her agency and is also being followed by two Columbian hit men, who also want to kill her. She takes along the photographer to protect him and he does a lot of complaining, until the final showdown when he helps defeat the hit men. It makes little sense why a photograph of the woman spy should be so important and, then, how the bad guys are able to track them so effectively driving across the American west. Nonetheless, the woman secret agent is reasonably well-acted and the pair feel like they are in real danger as rabbits trying to escape from an all-seeing enemy. The movie takes itself a little too seriously, and some better writing could tighten up the plot, but it's not all bad as the two leads do a good job playing off each other and coming to a common understanding to save their lives.