There is a World, in the Head of Walter Mitty that Does Not Exist, but don't tell Walter Mitty because that is His Escape.

What a Movie it is, this Incredibly Infectious Film. It is a Humorous, Touching, Visually Arresting, Romantic, Beautiful Escape. You could say that it is an Atypical Film as it goes Against the Grain of Current Bottom Line Procedures.

It is and most Likely was a Hard Sell. It's not the Latest Gross Out Comedy of Wallowing, Witless Pubescent Pandering. The Kind that Thinks that Creativity is Showing a New Way to Watch Someone take a Pee or Hurl Upchuck in Slow Motion. No this is a Somewhat Subtle, Warmhearted, Slice of a Life that No One Notices. He is a Plainly Dressed Man that Sports No Tie or Stubble.

The Market Men, those Profit Pursuers were Right. They Know the Audience Out there and it has No Tolerance for a Masterpiece of Chicanery with Charm. The Movie was a Flop out of Gate. It Bombed in the U.S. and that was Predictable. But Ben Stiller has Made an Enduring Epic of a Production. The Film is about as Good as it Gets for this Type of Hardly Ever Made Movie that has No Target Audience, as it Presents its Comedy, Action, and Adventure Without the Aid of a Caped Crusader or a CGI Monster.

Everyone Involved in this Glorious Film should be Proud. It is Life Affirming, Inspiring, and All the Good Things that We Need now and then. An Entertaining, Uplifting, Soul Searching, Artful Experience that Movies can be at Their Best. It may not be the Success Financially that Bottom Feeder, Bottom Liners want to make but in this Case it was Worth It.

Nothing this Good should be Ignored and should be Seen by the Very People that won't See it. It just Could take the Edge off that Cynicism, and Make Them Feel Good. The Movie Might just Find a Place in Their Heart. That is going to Make Some Uncomfortable. Maybe that's why They Stayed Away in Droves.

Actually just one of them would make me want to give this a 10/10 and it is very close in my eyes. The scene I'm talking about involves a helicopter and a song that really got under my skin. If you don't feel a thing during that scene ... well I don't know what to say. The whole thing is build upon feelings and dreams. Obviously breaking out of them and making some of it reality (not the ones that can not be achieved obviously, like flying or other stuff) is the ultimate goal.

Ben Stiller might be known for one thing, but we can see with this movie he has a wider range. And the visual/virtual effects he uses help support his vision. A vision of a novel that I haven't read, but sounds more than intriguing even after you've watched the movie. Which cannot be said about most of novels/movies that have been made this way. This is not your typical movie, even though it might hit some familiar notes and go ways that are to be expected. Take the journey and fly with it ...

It might be difficult for choosy audiences with cynical dispositions, but if we can look past the pesky product placement in "The Secret Life Of Walter Mitty", we're left with one very, very good film. Ben Stiller, who usually seems to have little clue how to use his specific talents, gives his best performance to date in front of and behind the camera. This is a film that may not resemble the source material verbatim, but the spirit is clearly alive, with a few touches to modernize the idea. As a whole, it's a sweet, confident, and poignant film that has a lot to say, but I think it speaks only to those willing to listen.

Walter Mitty (Stiller) is a negative asset manager for Life magazine- basically, his is the department responsible for bringing in and processing the film from the field that will go into the magazine (and by his 'department', I mean Walter and his assistant (Martinez) ). In essence, in the time Walter has worked at the publication, the very soul of the magazine has been processed on his watch. It's prescient, that his seemingly simple position holds so much sway, but we'll return to that idea.

His problem, it seems, is that he daydreams. Mind you, this isn't the type of absent-mindedness that you or I take part in. Walter misses large chunks of actual time in his fantasy land, jolted back to reality by silence, love interests, or transition managers. In his escapes, Walter is well-traveled and mysterious, interesting and not invisible to others. He's confident and allowed to pursue that which he wants. In other words, he's the full version of himself. I like how this film pulls back the comedic reigns here- Stiller too often becomes, well, Stiller, and overdoses on the comedy. Here, the humor is subtle and fits the tone of the film. It also doesn't pander, or make us feel sorry for Walter. There's a very good reason his life is the way it is, and again, it's presented without pretense.

I mentioned a transition manager, profiled in full douchebag by Adam Scott. Well, the print version of Life is going under in this film, and switching to an online format. Positions like Walter's are likely to be eliminated, as well as accounting spots like the one Cheryl (Wiig) holds down. However, before the end, they want to send up one last issue, and long-time contributor Sean O'Connell (Penn),who has sent a roll of film containing an image he specifically wants to become the last cover. The problem is that Walter has either misplaced it, or it was lost along the way. This causes him to seek it out, thus finally spurring him to make his fantasies become, well, realities.

I think a good portion of society can identify with an individual that finally lets loose a bit, that allows himself, finally, the adventure he deserves. A lesser film would make these emotional breakthroughs farcical, ala "Last Holiday", but this is subtle and decent. That's why the big reveal of what that last cover image is a fantastic moment. I believed in this Walter Mitty as a hard- working guy who missed out on life thus far due to some bad luck. It was wonderfully refreshing to see a character, despite his quirks, find happiness in the midst of just being, well, a good guy.

I caution those looking simply for a pandering, feel-good story around the holidays. That's not what this is. Instead, Stiller and crew have taken the spirit of the source material and adapted it to our world. Granted, there are a few goofs- for example, Walter seems keen on good rock music and skateboard culture, but he isn't aware of a popular David Bowie song? Also, how does one get a clementine cake, sweet as it may be, through customs? Those things don't doom the film, but I do feel it's another reason this will divide people- those that claim this has nothing to offer but cynical product placement messages, and those like myself that sense a broader theme of becoming who we want to be, and understanding where we lose our way. That's a powerful thought, and this quietly beautiful film has the sense to not beat us over the head with it. After all, the film does tell us that "beautiful things don't ask for attention". That's certainly a statement that a number of filmmakers could stand to hear more often.