It's an anime film about Kai, a gloomy middle-schooler who loves music, but whose father and grandfather are against it. They live in a town where the only industries are fishing and umbrella making, because the mermaids cursed the village long ago. Through a long and rambling story, Kai gets involved with a couple of other pre-teens in forming a band, a mermaid known as Lu and... well, it's a weird, complicated fantasy story.

There are several issues with this feature, and it's hard to say whether it's an issue with the film makers or the people who did the American release. Some of the anime fantasies I've seen over the last few years have had very elaborate magical theses, and when the denouement comes along, there was is no foreshadowing in the movie... or was there? Was the escape clause the good guys used to avoid their evil fate just invented at the last minute, or was it mentioned in the original Japanese version about 15 minutes in and the translator botched the job? Or am I going to be lectured that if I had read the 4300-volume manga that the movie is based on, like I should have, I would have seen it was mentioned twice?

I think the translators did a fair job of foreshadowing. I must admit that I was distracted by the use of at least three completely different style of animation used in the movie, depending on whether it was the workaday world, when the mermaid was present, or when some major magic was operating. It's a fair and reasonable way of doing things, like different lighting for different eras in a film, but it was a lot to absorb.

In the end, though, one goes to a story film for a story, and a story is about people changing, and that's what happens here: the selfish pre-teens stop being so selfish, the older people open up about their own issues and the need for the youngsters to live their own lives and so forth. It's just that this is a weird movie. And in the end, I think that is a good thing.

This is a very cute film... over the top cute to be honest. The story line is decent if a little stretched. Children will love it, adults will likely find it endearing. It is not particularly exceptional in any aspect-- animation, story or production, but certainly worth a watch. For some it will seem too "silly", but others will find it to be a lot of fun. It's a good morality play about accepting those who are different, looking at life in a positive manner, and hope. The weak ending might be a bit disappointing but can be forgiven. All in all a decent film for younger ones.

My first exposure to feature-length anime, Lu Over the Wall made me gasp at the level of imagination that has gone into its creation where a lonely, taciturn boy finds a companion in a mermaid who has special powers and who changes her appearance a little when exposed to human music. The animation is top-notch and so is the storytelling which tries to relate with social issues such as xenophobia (?) and others that we as a whole are currently grappling with. Lu Over the Wall is funny, uplifting, and delightful. TN.

(Watched and reviewed at its India premiere at the 3rd Japanese Film Festival of India in Mumbai.)