Willie Dynamite


Crime / Drama

Plot summary

Uploaded by: FREEMAN

Top cast

Roscoe Orman Photo
Roscoe Orman as Willie
George Wyner Photo
George Wyner as Bailiff
Ken Lynch Photo
Ken Lynch as Judge #1
943.64 MB
English 2.0
23.976 fps
1 hr 42 min
P/S 12 / 69

Movie Reviews

Reviewed by Hey_Sweden7 / 10

Can you tell me how to get to Easy Street?

This Blaxploitation classic merits a viewing on at least two bases: one, you've got none other than Gordon of 'Sesame Street', a.k.a. actor Roscoe Orman, playing a pimp, and two, you have to love these COSTUMES! "Willie Dynamite" (Orman) is a capitalism-oriented flesh peddler with a wardrobe to die for. But he'll have a few thorns in his side: a pair of detectives (George Murdock, Albert Hall) out to righteously bust him, a mysterious enemy determined to screw him over, and a crusading social worker named Cora (Diana Sands),who acts as a patron saint to hookers.

Directed with style by Gilbert Moses, "Willie Dynamite" is generally engaging entertainment. Some viewers may be pleased to note that, although the rating is R, there's no excessive violence, and very little in the way of bare female skin. That doesn't mean, however, that it's not worth other peoples' time. It spins a decent yarn (screenplay by Ron Cutler, based on a story by Cutler and Joe Keyes Jr.) that unfolds at a respectable pace, gives us some agreeable action set pieces, and makes fine use of locations. There's a wonderful score provided by J.J. Johnson, and a rousing title theme song that gets you in the proper mood immediately.

Orman is great fun playing a charismatic antihero. The scenario lets you wait until the end to let you know whether or not Willie D. can be redeemed, leading to some poignant moments. Sands, sadly dying of cancer during this time, gives the best performance in the movie. Thalmus Rasulala is saddled with little to do as her attorney boyfriend. Similarly, there are other familiar faces here that are rather wasted. Judith Brown, Juanita Brown, Marcia McBroom, and Mary Charlotte Wilcox as some of Willie D.'s hookers mostly just take up space. The pretty Joyce Walker gets the lions' share of attention as novice ho Pashen. Roger Robinson, as an antagonistic pimp named Bell, is most amusing, but there may be viewers who will take offense to his stereotypical portrayal of a gay character.

"Willie Dynamite" is lively, funny, and sometimes touching. Blaxploitation completists will want to check it out, for sure.

Seven out of 10.

Reviewed by sol12188 / 10

Maybe I should have shot you, they call it mercy killing

******SPOLIERS****** "Willie Dynamite" is miles above the average "Blaxploitation" films made in the 1970's by it's not glorifying the title character in any way but showing him as a ruthless as well as tragic and misguided person. A person who's self-destructive lifestyle as a big time city pimp lead to disaster not only to himself but to all those around him: his women his friends his hangers-on and worst of all his sweet and church-going mother played by Royce Wallace.

Back in those days, the 70's, Willie Dynamite, Roscoe Orman, could easily have been made to be a hero for the youth of the inner city ghettos to be looked up to and emulated. Instead the movie wisely chose to show him and his lifestyle for what it was, indifferent and unfeeling. Thats how Willie was to those women who worked the streets and hotels for him selling their hot bodies for the only thing that mattered to him the bottom line: Cold Cash.

The film chronicles the rise and fall and in the end redemption of big city pimp Willie Dynamite after he saw his mother collapse in the courthouse, when she found out what Willie really did for a living, and later die in the hospital without Willie being able to tells her that he's sorry for what he did and get her forgiveness. Willie let his mom on to believe that he was a record agent not a pimp.

Willie's top hooker Pashen, Joyce Walker, who wanted to get out of the hooker business and become a fashion model after she was shown the light by Cora, Diana Sands, a social worker who tried to save girls like her from being exploited by pimps like Willie. Pashen instead gets sweet-talked back into turning tricks by Willie's and ends up having her pretty face slashed while she was in the womens house of detention waiting to be bailed out by him.

Diana Sands steals the movie with her sensitive portrayal of a social worker who knows all too well what life on the streets can do from her sad and abysmal life as a young women and tries to get the girls working for Willie to save themselves from that life like she did. We also see Diana change her opinion about Willie when he's destroyed by his fellow pimps as well as the law and becomes a broken and humbled person instead of the brash and arrogant pimp that she fought with throughout most of the movie. It's Cora's tender and emotional scene with Willie at the end of the film made you want to reach for your handkerchief.

Finally Willie himself who went from a cold-hearted and unfeeling person who looked at both his hookers and the Johns who paid for their services only as dollar signs to where he became a sensitive and understanding person by the time the movie ended but it took a walk through hell for Willie to get to that point. The movie also has fine location filming in and around NYC with a great musical soundtrack.

It would be unfair for "Willie Dynamite" to be described as a "Blaxploitation" movie; It doesn't exploits it's audience it educates it.

Reviewed by dctomlinson7 / 10

Should have won Best Costume Oscar!

After watching 100 or more blaxploitation movies in the last 10 years or so, my wife and I fell in love with this movie. You love blaxploitation for the cheesy acting, the characters, the cars, the ghetto heroes. But for this one, it's the costumes. Sure, it's got pimps, hos, bad cops, drugs and prostitution, even a ex-hooker with a heart of gold. With costume changes nearly every scene; leather, fur, satin and those hats!, this one should have taken an Oscar!

If we can find the DVD, this one goes in the permanent collection.

Mary and David

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