A Corman cheapie which follows the fortunes of a tribe of Viking women, as they set sail to find their menfolk who have not returned from an earlier voyage.

Women are all statuesque blondes, apart from the evil one who, in the best film-noir tradition, is brunette.

After setting sail in the flimsiest longship imaginable ( a 20 ft canoe ),the women are pulled into a vortex and terrorised by a giant sea-serpent which causes them to be washed ashore in a strange land. Here they find there menfolk, who had followed a similar path and are now enslaved by a barbarian tribe, the Grimaults and forced to work down their mines.

The men are all bottle-blonde surf-dudes, and after some comings and goings the women manage to free their other halfs, and all manage to escape.

Any film with a title this tongue in cheek, particularly a Corman one, is difficult not to have some affection for. That said 'Viking Women....' is very poor in all departments, with script, performances, narrative all out of the bottom drawer. Not of the standard of other Corman films of the period, such as 'Day the World Ended' which despite limitations did have some recognisable strengths.

Despite a meager $65,000 budget, and thanks to Corman's skill in making a little money go a long way, the film looks far more expensive than its actual cost. True, despite his co-star status in the movie's title, the serpent figures very little in the film's action, most of the heavy's duties being taken over by the fascinatingly treacherous Richard Devon and the equally charming Susan Cabot (the Wasp Woman herself). Lithe Abby Dalton plays the Viking leader with appropriate girlish gusto, while twisted but surprisingly ungrateful Jay Sayer has his menacing moments as a petulant prince. The story is absolute nonsense from first to last, but Corman keeps the action moving at such a commendably fast clip from go to whoa, a total lack of conviction doesn't really amount to a factor that will upset rabid American-International fans.

Considering the title and that the film was made by Roger Corman during his "quickie" days (he'd already made something like 679 other films in 1957),this film is about what you'd expect--a very low budget and silly picture. The only decent thing about the movie is the soundtrack--not bad at all. Otherwise, it's pure crap--1950s drive-in movie crap.

The film begins with a bunch of scantily-clad blondes in Scandinavia pining for their lost men. Apparently the men had gone off to sea a few years earlier and never returned. So, these ladies decide to go in search of them. In real life, Viking women were amazingly tough ladies, but I just couldn't see this gaggle of skinny ladies putting up much of a rescue effort--and I turned out to be right. After almost being killed by a giant sea monster, the women wash ashore in the land of dark-haired bad actors where they are taken prisoner. There, they discover that their men are slaves to these dark-haired guys. I loved finally seeing the Viking men, as they all looked like extras from a 1960s beach movie--clean shaven, no chest hair and Troy Donahue hair---exactly like the rugged Vikings must have looked!! Eventually, the well-coiffed Vikings escape and the dark-haired jerks get theirs--the end.

While there is a bit more to the plot than this, I really don't care to elaborate--it's just not that interesting or important. Instead, let's talk about the worst aspect of the film--the writing. Again and again, characters do things that make no sense at all. Why take the Viking women on a wild boar hunt? Why does the only dark-haired lady in the bunch of Vikings (a sure sign of evil) behave so wildly unpredictably as she does (I suspect really, really bad PMS)? Why does a teeny, tiny sword kill a 6000-foot long sea monster? How did the Vikings expect to keep warm wearing outfits that looked like they were left over from American-International's last caveman or jungle film? And, why didn't the writers include anything that was remotely exciting or interesting?

The bottom line is that the film is just barely watchable but why bother unless you are a bad movie fan. Additionally, it seems that Corman must have quickly slapped together this film in anticipation of the soon to be released epic, THE VIKINGS, a film vastly superior in every conceivable way.