STARRED UP is another modern-day prison flick, this time a British one. Before everybody starts groaning and thinking "what, again?!", let me reassure you that this one's not sugar-coated at all. There's no sentiment here, just brutality throughout, and yet it becomes an immersive and thought-provoking experience. Even with all the violence and bad language and animalistic behaviour, there is still light at the end of the tunnel.

The film features Jack O'Connell ('71) in a star-making performance as a disturbed young man who has just been transferred (aka starred up) to men's prison from juvenile. To complicate things further, his own father is an inmate, and the two have a volatile relationship. I've seen the Australian actor Ben Mendelsohn before in a few Hollywood flicks and didn't think much of him, but he's a perfect fit for the part here.

A lot of the usual prison clichés are played out here, but they happen in a matter-of-fact and dare I say it grimly realistic way. The violence is brutal but not overdone, and it does serve a purpose rather than being gratuitous. And the realism is top-notch, reminding me of the BRONSON film at times. Despite all this writer Jonathan Asser manages to tell a believable storyline with an identifiable beginning, middle, and end. It's a good little film, although not for all tastes given the subject matter.

"Starred Up means you're leader."

Starred Up is unquestionably the best UK film of the year. It's no surprise because the best prison dramas that have come out over recent years come from Europe (think Bronson, Hunger, and A Prophet). What surprised me the most about Starred Up is that the humanity of these prisoners is never lost. These are guys who do questionable things and constantly have anger issues, but somehow as an audience we are still drawn to them and care for them. It isn't something easy to achieve but thanks to David Mackenzie's solid direction and Jonathan Asser's brilliant and realistic script we get an authentic prison drama with characters we can engage with and are worth investing in. Asser actually based the script on his personal experience when he worked as a voluntary therapist at a prison. It really comes through in the script because you have a sense that he sees these prisoners as actual human beings and not just stereotypical prisoners which we sometimes get from movies. He raises some important issues that most prison movies fail to do so and which concern him. There are two ways we can view prisons: as a place where we can set apart the criminals and keep them away from society or as a place where we send these criminals to be rehabilitated. He firmly believes in the second cause and that is why he includes a voluntary therapist in this film that is trying to rehabilitate some of these prisoners. These are issues that aren't usually raised in films of this genre, but through this authentic portrayal of life behind bars we get a sense of it. That is why Asser is so concerned with humanizing the main character, Eric Love, played brilliantly by Jack O'Connell (Unbroken),who has just been sent to prison after spending years in juvenile institutions for his violent behavior. He's sent to the same prison where his father (played by Ben Mendelsohn) has been spending most of his life. Their hurtful relationship gives us a glimpse of why Eric behaves the way he does and it is ultimately what engages the audience with his character. However my favorite aspect of the film is the relationship he shares with the therapist (Rupert Friend) who is trying to help with his violent nature. The film is gritty and it also has a lot going on with the rest of the prisoners and guards as well. As opposed to what we feel for the prisoners, the guards don't really view their humanity. Starred Up succeeds as an authentic portrayal inside a prison.

This is only the second time I have seen a film directed by David Mackenzie and he is back on my radar now. I had seen Spread, starring Ashton Kutcher, and I really disliked that movie. This film felt like it was directed by a completely different person. A lot of the credit has to be given to the screenwriter for writing such a compelling prison drama with scenes that you are completely invested in and have you at the edge of your seat. But of course one can't leave out the brilliant performance from Jack O'Connell who delivers one of the most memorable prisoner characters I've seen. His physical performance is just inspiring. There are a number of secondary characters that will also be remembered. Ben Mendelsohn as Eric's father is great and so is Friend as the therapist. I enjoyed many of the interactions Eric had with them and with some of his inmates. There are several things going on as we sort of get a slice of life of these prisoners life. I may have been describing this film mostly as a drama, but believe me there are several moments of incredible tension and gritty violence. It balances these themes very well and makes for a compelling watch.

Having loved David Mackenzie's latest film 2016's 'Hell or High Water' and being recommended another critically acclaimed film 'Starred Up', via reviews for 'Hell or High Water' praising some of Mackenzie's previous work, 'Starred Up' fascinated me from the get go and didn't disappoint.

It is a near-instant classic, though its hard-hitting and brutally violent nature won't appeal to everybody, and British prison drama doesn't get much better than 'Starred Up'. What seems familiar, and it doesn't exactly tread new ground, avoids being clichéd. To me, the only thing that doesn't quite work is that some of the prison justice elements is a little overcooked. Otherwise, 'Starred Up' is terrific.

'Starred Up' looks stylish and enhances the setting's realistic queasiness and toughness. The music is suitably haunting, without overdoing or underplaying it.

Mackenzie directs with darkly compelling realism and plays a large part in making the father-son relationship so gripping and dynamic, creating an environment so dehumanising and harrowing and delving into the film's sociological tone.

The script is taut, sharp and smart, authentic in its abrasiveness yet with welcome and never misplaced humour and never forced pathos. And life in prison has rarely been depicted with the amount of clarity shown here. The storytelling really hits hard in a gritty and unashamedly uncompromising fashion, develops the remarkably complex characters beautifully and never holds back or take any prisoners, while bleak and violent it's effective in showing prison life's brutality and never trivialising it.

Jack O'Connell's anti-hero is tragically troubled while showing sympathetic and powerful sides, seamlessly commanding the screen in a powerhouse lead performance. His performance is matched brilliantly by the coldly intense one of Ben Mendelssohn. Their complex characters and dynamic chemistry dominate the film and outstandingly. Rupert Friend is just as strong.

Overall, not quite perfect but absolutely wonderful. Just know what you're letting yourself in for. 9/10 Bethany Cox