Every holiday Marcel and his family go to their cottage in the Provence (France). He likes the hills in this region. During one of these holidays he meets Isabelle, a pretty but conceited girl...

Many people have championed this film. I guess I don't get it. I liked the movie, and it was fun, but not mind-blowing. There is a prim and proper father who has a weird obsession with teaching and always being right. There is a mother who seems to more or less just exist, despite the film having her in the title.

What stands out the most is that one of the kids has a ridiculous dubbed voice. Maybe I should have watched it in French, but I didn't, and this is what I was stuck with.... a kid with a weird voice.

This was the follow-up to "My Father's Glory." That film probably better known but I much prefer this second film. To me, this one is far more appealing.

The scenery, the color, the sweet, beautiful face of Nathalie Roussel and the gentle tone of the film all make it a winner. The French countryside pictured here is beautiful as we watch a family make trips through various gates en route to their destination. Some of it actually gets suspenseful. It's a very simple story but nicely. The pre-teen romance is a bit distracting but it doesn't go on long.

The movie features good storytelling and I never get tired of the pleasing visuals. As mentioned, this story has a lot of appeal.

Almost three decades later,Yves Robert comes back to what he does best:childhood movies."La guerre des boutons" (1962) was the first work featuring almost only brats.It was a timeless blockbuster in France and an (English or Irish) remake was made a few years ago.

Yves Robert tackles here Pagnol 's autobiographical books and transfers them to the screen with taste ,humor and magic.Magic is everywhere as Robert perfectly recreates those little simple pleasures of long ago."Le château de ma mère" is the follow-up to "La gloire de mon père".Both movies are likable,Robert showing tenderness for his characters:The enthusiastic atheist father (Philippe Caubère),the mother everybody would like to have (Nathalie Roussel),their two children ,Marcel -who would become the great director and writer- and his brother"petit Paul", the Christian uncle Jules who prays for his heathen brother-in-law,and plays the occasional Father Christmas. A lot of colorful secondary characters adds to the enchantment:Lili,the little boy of the garrigue,a girlie,some kind of stuck-up thing,a noble who's a true gentleman,a wicked warden(One of Jean Carmet's last parts) who's got instructions by way of heart.

The main difference between "le château de ma mère" and the first part "la gloire de mon père" lies in the fact that the former opens the gates of life(not only the gates the father illegally opens) .The conclusion is very harsh,but Robert avoids pathos and melodrama.It does not prevent us,though,after three hours (the two movies together) in these green pastures of childhood paradise,from getting a bitter taste in the mouth.

Robert knows it:so he ends his work with a wonderful epilogue(faithful to the book) which thoroughly justifies the title.And the audience will leave the Provence,while thinking that here or elsewhere,dreams may come true.

As Pagnol wrote at the end of his book:"life is made of small pleasures and big grieves :don't you tell it to the children"