The story may not be original, but it was Elisabeth Shue's performance that captivated me. I am surprised she didn't get more acclaim. Molly is such a difficult character to play and Elisabeth's acting was supurb and incredibly believable. I was just made an even bigger fan of her work.

This is a touching, bittersweet and wonderful film about an autistic woman who gains full use of her cognitive reasoning through an experimental procedure. Molly (Elizabeth Shue) is a 28 year old autistic who has been institutionalized much of her life. When the institution closes, she is left in the care of her self absorbed brother Buck (Aaron Eckhart). She is recommended for a new experimental procedure which transforms her into a normal young woman. As the story unfolds we see her grow from a child into a woman with many sweet and funny moments resulting from Molly's view of the world through childlike eyes. As her relationship with her brother grows, his transformation is as dramatic as hers.

The film was charmingly done with a coming of age quality about it. There were numerous comical and heart warming moments resulting from Molly's misperception of a world she is trying to make sense of.

The only thing working against this film is the fact that this ground has been retraced in so many ways that it suffers from the tendency to compare it to other films. It has elements of ‘Flowers for Algernon', ‘Rainman', ‘At First Sight' and ‘Awakenings'. It is difficult for a film to be fully appreciated when the viewer is mentally comparing it to all these other stories. That is a pity in this case because this really is a lovable story in its own right.

Elizabeth Shue gives us marvelous performance as Molly. Her portrayal of autism is realistic and endearing. She is so childlike that you really sense that she has the mind of a 3 year old. Later, as she transitions to the mind of an adult, she retains that childlike naiveté that gives the character a purity and wisdom that is fresh and free from cynicism. It was a wonderful performance that regrettably will not be seen by many since this film lives in obscurity as a single facing on the rental shelves.

I rated Molly an 8/10. On an emotional level, I really enjoyed it more than that, but I felt compelled to subtract a couple of points for lack of originality. However, if you enjoy human interest stories this one will certainly touch your heart.

An autistic woman in her late-20s is farmed out to her estranged older brother after the institution where she resides is shut down (for reasons which aren't made clear). The brother, a hipster ad-man who builds boats and lives an extravagantly bohemian lifestyle, is anxious to palm the girl off to any hospital who will take her...but, of course, they grow closer with time, particularly after Molly undergoes experimental surgery. Expensive, old-fashioned production which did MGM absolutely no favors. Transparent hybrid of "Rain Man" and "Awakenings"--with Elisabeth Shue attempting to pull off Cliff Robertson's act à la "Charly"--wants desperately to be Oscar material. The intentions are sincere, though the brightly-painted scenario is ridiculous, the writing is consistently irritating and the episodes of 'high drama' ring false. NO STARS from ****