Hal Walters (Jose Gras) is a garishly dressed lothario playboy, who cruises the streets and nightclubs in a loud, vulgar looking car. One night he runs afoul of Neo Nazi bikers, who wear codpieces and aviator goggles to go with their leather, and his squeeze is defiled. This means total war, and Hal vows revenge on the degenerates, who vow counter revenge, and it all gets waaay hilarious.

Mad Foxes really has to be seen to be believed. A hilariously bad film, that's completely ridiculous, with awful dubbing, laughable sex scenes (complete with misty camera) and shoddily choreographed fights, it should have any lover of tacky Eurotrash exploitation on the floor, with howls of laughter.

One of my favorite bad films of all time, it's completely craptastic and is probably only topped by either Raw Force or Gymkata in terms of sheer OTT random nuttiness.

Well recommended for any lover of bad cinema, it's the perfect beer or whatevs flick and should be sought out immediately by any right thinking person, as it's a nigh on masterpiece (or craptasterpiece if you like) of awesome cheese cinema.

If I can ever cite an achievement in life, it's that I saw this film. Viva Espana!

While en route to a nightclub, playboy Hal (José Gras) has a violent run-in with a neo-Nazi biker gang which ignites a series of vicious revenge attacks that culminate in murder.

Exploitation film-makers generally take one of two tried and tested routes—gritty realism or exaggerated excess; rarely are the two styles combined. Director Paul Grau, on the other hand, is clearly a true maverick of the genre, a man who likes to truck convention, break all the rules, do his own thing however unpredictable the result might be: for Mad Foxes, Grau recklessly combines genuinely mean-spirited nastiness with seemingly incongruent, over-the-top elements, and abandons technical perfection and logic in favour of a less rigid, more experimental approach to his volatile material. It's a radical stratagem which results in an undeniably unique piece of work—or to put it another way, the film is an inept one-of-a-kind mess, often unintentionally hilarious (or so I presume),occasionally shocking, sometimes completely random, but always totally insane.

To expound on Grau's bizarre combination of the ridiculous with the realistic, I'll describe the villains of the piece in more detail: sporting a range of clichéd motorcycle gang outfits accessorized with matching swastika armbands, the gang's appearance brings to mind the imbecilic Black Widows from Clint Eastwood movie 'Every Which Way but Loose', whose nefarious plans were constantly thwarted by Clint and his orangutan with suitably comical results. Despite their cartoonish countenance, however, Mad Foxes' bikers prove to be far from a laughing matter, raping and killing without mercy (but strangely enough, not putting so much as a scratch on Hal's swanky sports-car).

Another example of how director Grau casually mixes silliness with the surprisingly savage comes when Hal and his martial arts pals seek revenge for the rape of an 18-year-old virgin (whom Hal had hoped to break in himself): the fracas begins with some of the most pathetic karate ever captured on film, but ends with the bikers' leader having his severed penis unceremoniously jammed into his mouth. It's sudden changes in tone like that which have earned this film its reputation as one hell of a strange cult oddity.

Of course, with terrible direction, choppy editing, lousy acting, dire dubbing and poorly choreographed action, Mad Foxes is about as far removed from decent film-making as you can find, but it's hard to ignore any movie in which vicious rape rubs shoulders with rock 'n' roll jive dancing, evisceration and emasculation go hand in hand with full-frontal nudity and steamy sex, a visit to the crapper can result in sudden death (I've heard of suffering from explosive bowel movements, but this is something far worse),and absolutely no-one lives happily ever after.

MAD FOXES is probably one of the most disjointed, inept, utterly retarded rape/revenge exploit films I've ever seen. That said - I dug it quite a bit. This film is full of nonsensical scenes and retarded plot-lines - but who cares? There's violence, rape, wiener-dismemberment, lots o' sleazy nudity...what more can ya ask for???

Hal gets into a scuffle with some Nazi-bikers when they insult him and his date at a stop light. The ensuing mêlée ends with one of the bikers dead and they come back for revenge on Hal and his girl. They beat him up and rape her, leaving her in the hospital. Hal calls on some kung-fu buddies who kick the biker's asses and penectomize the gang-leader. This doesn't sit well with the gang, who retaliate by staging an assault on the kung-fu guys' dojo, shooting them up with machine-guns and blasting them with hand-grenades. The gang continues it's search for Hal, and eventually find that he's gone to stay with his parents for a few days. While Hal and some other slut are running around the countryside, the gang kills his family, which Hal doesn't take lightly. He hunts the bikers down one-by-one and dispatches them, until his final retarded run-in with the now penilely-deficient gang-leader...

MAD FOXES is gloriously ridiculous from start to finish. An unnecessary dance number, a rape victim that we never see again (that is the impetus of the whole story),a hitch-hiker pick-up in the middle of a car chase - everything about this film screams stupidity. Even so - at about 75 minutes, it goes by quickly and is chock full of full-frontal nudity and violence - really the main combinations necessary for a "successful" exploit film. I'd say it's a must-see for schlock/exploit lovers...8.5/10