Death in Vegas' spellbinding song "Girls" perfectly sets the tone for Sofia Coppola's second feature film, the bittersweet, intelligent, mature and absolutely wonderful Lost in Translation. Trying to summarize the movie is almost pointless because the emotions the film sparks within you (in my case, at least) can't be described in words. The basic story follows Bob Harris (Bill Murray) and Charlotte (Scarlett Johansson),a washed-up, depressed actor and an emotionally confused newlywed respectively, as they accidentally meet on Park Hyatt Hotel in Tokyo. The two form an unusual bond, but a bond that is infinitely stronger than that which they share with their respective wife and husband (Charlotte's partner is a jittery photographer who doesn't pay very much attention to her; Bob's better half keeps calling him, pestering him about which colour they should choose for the carpet back home). Bob and Charlotte's relationship is not really a sexual thing so much as a matter of emotional understanding. They're both stuck in life, unsure of what to do with the rest of it and certainly not very satisfied with what they've done with it so far. It's very touching to watch, in a refreshingly non-sappy way.

The film isn't all mid-life-crisis slit-your-wrists drama, though - it is also hilarious at many points, mainly thanks to Bill Murray, who turns deadpan exasperation into an artform in a role specifically written for him. The pressure on him is high because he is basically the heart and soul of the film, but he nails the part and he's so great I was really surprised to see that he was nominated for an Oscar (since the Academy rarely hands out awards to performances that are actually *good*). Scarlett Johansson is stunning and convincing in her role and more than holds her own against Murray. Giovanni Ribisi as the aforementioned dorky husband and Anna Faris as a brain dead actress are perfectly cast and it's hard not to hate them.

Sofia Coppola's direction is amazing, both stylistically original, passionate and spellbinding. There are many gorgeous images of Tokyo on display here and she finds the right balance between these eye-catching visuals, Murray's comedy and Johansson's angst. Her style is very different from her father's and shouldn't be compared. She clearly shows that she is fully capable of having a career of her own without putting her faith in Hollywood nepotism.

Favourite scenes? Bob's "Santury time" scene is pure comic gold, and the most emotional part, in my opinion, is the karaoke scene during Bob and Charlotte's night out, when Murray sings his version of Bryan Ferry's "More than this". The scene, the way I see it, says so much about the characters and what they're going through. In fact, I'd call it the most important scene in the entire film. Then again, maybe Sofia Coppola just wanted to hear Bill's awesome singing voice (he's actually really good!).

Overall the film is just perfect. The acting, the direction, the soundtrack, plot, themes, humour, visuals... what's not to like? I know some were turned off by the supposedly "slow" pace, which I just thought helped the movie become more captivating. The central relationship needs to take its time to feel realistic. Honestly, what do you want, car chases? It's an existential drama, not Run Lola Run. Sheesh.

For relaxing times... make it Lost in Translation time.

Bill Murray plays a famous actor named Bob who goes to Japan to do an ad campaign for big bucks. The problem is, he's experiencing a bit of a crisis before he arrived (a sense of disconnection with his wife and kids),and being in a totally alien culture, he is even more lost and alone. Some of the observations about the way that the Japanese do business and behave are pretty interesting, but there aren't enough of them after the first twenty minutes or so. Having a Westerner come to Japan and feel lost and overwhelmed is an interesting starting point for a film. Unfortunately, the film never really seemed to go anywhere after this interesting start. Plus, the characters (especially Bill Murray's) ultimately turned out to be rather selfish, so I really didn't care about them.

The main theme of this movie is a sense of disconnectedness. Unfortunately, in making the two leads (Bill Murray and Scarlett Johansson) feel alone and disconnected in Japan, the audience, too, feels pretty much the same way about these leads as well as the movie as a whole. As a result, the movie is extremely somber, sterile and moves at a snail's pace. Both Johansson and especially Murray seem to almost sleepwalk through their roles--showing very little energy or emotion. Overall, it's a sometimes interesting but sleep-inducing experiment that failed. After seeing this and THE LIFE AQUATIC WITH STEVE ZISSOU, it seems Murray's career is stagnating. While critics might enjoy these films, they are NOT what the average person would enjoy. As for me, I much prefer the funny Bill Murray of WHAT ABOUT BOB? and THE MAN WHO KNEW TOO LITTLE.

By the way, if you DO like seeing Murray play a zombie-like character like he did in this film, then I suggest you also watch BROKEN FLOWERS--another recent film where he gives an identical performance with absolutely no emotional range.

I had been well aware of this film's reputation as a masterpiece for some time, and when I finally saw it I was so glad I did. I have seen it three times now, it improves each time. Lost in Translation is a brilliant film, but also a film you need to see more than once to appreciate it.

Lost in Translation for example is a brilliantly written film. The script is wonderful, with a healthy balance of energetic humour and bittersweet soul-searching. The story, driven by its characters, is slowly-paced but purposefully so, any faster it would have detracted from any magic and poignancy and also would have made the title irrelevant. And I love the ambiguous but very meaningful ending. Lost in Translation manages to be both sad and funny, but it is also in its tone a magical and irresistibly moving film.

I can't say I am a fan of Sophia Coppola. I can say though Lost in Translation is her best written and best directed film, and probably the only one I would consider a masterpiece. And speaking of Coppola, she makes some risky but wise decisions such as the balance of the humour and the bittersweet poignancy and altogether it is a rock-solid directing job.

Lost in Translation looks absolutely beautiful too, with its skillful lighting, beguiling location work and stunning cinematography. The Japan-pop soundtrack creates a big emotional impact, and just adds to the authenticity Lost in Translation has.

The acting is marvellous. Bill Murray gives a delicate, restrained and masterful performance in the lead role, and from his performance here you would never guess he is the same Bill Murray who starred in broader films like GhostBusters. Scarlett Johanssen also gives one of her best performances as the younger woman trapped in a loveless marriage, not to mention she looks lovely here and shares a believable chemistry with Murray.

In conclusion, a masterpiece. 10/10 Bethany Cox