Not for everyone, but I personally really enjoyed its slow pacing, quiet performances and grey scenic locations. Super sad, so get your bong or pipe ready if you're going to watch.

The title is very clear on one thing. Which doesn't mean we don't get to see the character (rather the actor playing that character) on screen. It's a very weird movie with a strange feel to it. It's tough to describe especially because our main character is very inactive and very closed to himself. But that makes him interesting (not only for the viewer but for other characters as you'll see).

You might not agree and find this "boring", which is a possibility and wouldn't be surprising with a movie like this. But if you can stay and stick with this, there is something there that you won't find in many other movies. For better or worse this is different!

Jamie Marks is Dead is an originally told downcast drama about two teens brought together after a classmate is found murdered in a rural town.

Carter Smith writes and directs Jamie Marks is Dead, drawing inspiration and adapting Christopher Barzak's debut novel One for Sorrow.

Jamie Marks is found murdered, naked and discarded amidst the detritus of decaying tree branches along the side of a creek. Classmate Adam becomes sympathetically absorbed in the death of the teenage boy who was not popular and often picked on. He and Gracie, the girl who discovered the body, become close from the murder when Jamie's ghost begins to appear to each of them.

Cameron Monaghan is Adam, the classmate inexplicably drawn to Jamie's death. Monaghan is a budding talent and brings a realistic and unexaggerated angst to the role. Jamie Marks is Dead is about the melancholic connection of the characters and unfortunately Morgan Saylor's Gracie and Noah Silver's Jamie fail to deliver.

Jamie Marks is Dead is original, moody and extremely dark. We examine the character's familial and interpersonal relationships through Jamie's death rather than being a suspenseful mystery to unveil the killer's identity. All the pieces for the plot are there but for some reason it never comes together believably. Adam's preoccupation with Jamie's death seems unfounded, and the character's evolution that yields the resolution seems premature.

The story itself is laid out extremely slowly. Director Carter Smith uses this time to create a gloomy outlook of the characters' world through clear and decisive cinematography. The film is beautiful to look at, capturing the dark and austere bleakness of rural life and balancing it with perfect lighting for watchable scenes.

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