The press junket and first wave of critical notices built Snowtown up as a throat ripper that will cause you nightmares. That didn't do it any favours as per expectation levels for the horror enthusiast. However, this is a superb piece of film making, a real gritty and grainy deconstruction of the human condition gone sour. As with all films of this type that are based on real life incidents, it pays to read up on the facts if you be so inclined.

Debut director Justin Kurzel doesn't shirk from the horrors of the case, but skillfully he doesn't bang everyone over the head with shock tactics to grab the attention. It's a relentlessly bleak picture, there's a continuous build of impending dread, of human devastation wrung out by a master manipulator (Daniel Henshall as John Bunting superb),the depressing story told through the eyes of the simple and confused Jamie Vlassakis (Lucas Pittaway).

Not to be watched if one is looking to be cheered up! But that doesn't mean it shouldn't be sought out as essential cinema. It's a strong and potent film, worthy of inspection by adults who understand that not all film is about entertainment. 8.5/10

After all the critical praise I read about this movie, before going in to watch, I did expect more than I got. So maybe I was a little bit preconceived and my expectations should have been lower. The actors did meet them mostly. This is a great piece to stretch your acting muscles over with.

Unfortunately the story evolves at a speed that would make a snail shake his head. It's a shame really because the themes that are being played out here, are really good. There is much to discover (if you stick with the movie that is) and it can get very disturbing. But the pace just isn't right (that's my feeling of course, you might want to check in for yourself and get a clearer picture of things). Just don't expect it to blow you off your feet (literally)

SNOWTOWN is a true-life story about a serial killer and his associates who were prevalent in Australia during the 1990s. A low-key production that goes for gritty realism above everything else, the film this most reminded me of was HENRY: PORTRAIT OF A SERIAL KILLER; it has the same level of harrowing and distressing subject matter while being incredibly powerful at the same time.

SNOWTOWN isn't quite up there on a level with HENRY - there are a few too many scenes of people sitting around and eating for a start - but it is an undeniably effective movie. The casual brutality of the movie will make this hard to sit through for many viewers, with the scene involving the dog being particularly gruelling; meanwhile, the bathtub sequence is one of the nastiest I've ever witnessed. Aside from these moments, the rest of the movie is surprisingly restrained, a slice-of-life exploration of how 'white trash' get on with their lives.

The acting is fine, particularly from Daniel Henshall in a star-making performance, and the script is very good. I wish there had been a little more resolution at the end but then you can't have everything. SNOWTOWN is about as far away as you can get from a mainstream Hollywood movie and it's all the more effective because of that. And I'll reiterate how incredibly grim it is: would I sit through it again? Not a chance!