I really like this movie, but it sure brings me close to tears since the movie sucks you in as well and is, in the end, so heart-wrenching. I also admire it because when it comes to race, the film is WAY, WAY ahead of its time.

Claudette Colbert and Louise Beavers star as single parents struggling to raise their daughters. Beavers is an excellent cook and Colbert has the great idea of opening a restaurant--so with Beavers' cooking and Colbert's energy and know-how, they become quite successful. Years pass, and you see how their rising fortunes have changed their lives as well as the daughters. Colbert's is pretty decent, but Beavers' daughter is ashamed of her black mom--especially since this daughter is so light-skinned that she can, and does, pass for white. Beavers eventually discovers this AND is shunned by the daughter--pretending in front of her friends that her mother is the hired help! And, the shock is overwhelming and brings the movie to its conclusion.

Both leads do an excellent job. The movie also must be applauded for being an early forum concerning race relations. It might seem a little bit tame today, but in its day it was a powerful film and took some big risks. Plus, for once, Ms. Beavers did not play a maid but was able to show she could be a darn good actress. A nice job by all.

When Imitation Of Life came out in 1934, Fannie Hurst was at the height of her literary reputation having had her two best works this one and Back Street, come out back to back as both novels and movies. Both stories are about a women's sacrifice.

One day before World War I, Louise Beavers comes looking for domestic work and gets the wrong address and comes knocking on Claudette Colbert's door. Colbert is a recent widow with a child and Louise has a child the same age. Colbert can't afford any salary, but Louise is willing to work cheap, just for room and board for herself and her child.

This starts an unusual partnership both personal and business because Claudette's late husband was a seller of a cooking syrup and Louise makes a melt in your mouth type of pancake. When passing stranger Ned Sparks tells her one day to package the flour, this makes both Colbert and Beavers millionaires overnight. Beavers can't see it however and passes up her own household to stay with Claudette.

A lot of people today look at Beavers's character and say this is a racial stereotype that Hurst was perpetrating. Taking the racial component out of it, I've seen several people who are just like Beavers in their own way. Clark Gable had a father who could have lived quite well off his son, but couldn't deal with the Hollywood lifestyle and actually told his son they ought to resume their previous occupations as oil roughnecks. Stan Musial when he was making big money as a baseball star had a mother who took in washing back in the little steel mill town of Donora, Pennsylvania where he came from and not because he wasn't willing to provide.

And I had an uncle who worked hard at Kodak and also built up a milk delivery business of his own and at an age where he could have just relaxed and taken it easy, he was out working at close to 80 at a tool and die plant. There are folks out there who shy away from the outward trappings of success like Beavers. And there are those stubbornly over-committed to a work ethic when they don't have to be.

Both Colbert and Beavers are just moms with problem daughters on their hands. Daughter Rochelle Hudson is crushing out on Warren William who has his eyes on Colbert. But Beavers has bigger problems.

Remember these girls were literally raised together with their mothers in business. Fredi Washington sees the white world, she's light skinned enough to pass, she wants what's over in that world. But her denial of heritage hurts Beavers more than my words can describe. But Hurst's words in the novel and the screenplay betray a rare understanding of racism during her time.

Imitation of Life got three Oscar nominations including Best Picture. It's a dated film, but that fact alone makes it worth watching as a glimpse of the racial picture in America in the Thirties.

Bea Pullman and her daughter Jessie have had a hard time making ends meet since Bea's husband died. Help comes in the form of Delilah Johnson, who agrees to work as Bea's housekeeper in exchange for a room for herself and her daughter Peola. Bea comes up with a plan to market Delilah's pancake recipe. The two soon become wealthy and as the years go on, their friendship deepens.

This film came in a two-disc set with the remake, also called "Imitation of Life" and directed by Douglas Sirk. Now, I tend to think Sirk is one of the all-time greats, and really was not appreciated until much later. It would be hard for me to say this is the better film.

However, this is probably the braver film. The way it handles race is amazing, and seems far ahead of its time. Not only is there a very positive relationship between the two female leads (with race only being a minor factor),but e even get into what it means to be black, but a lighter shade of black. Did it happen that lighter-skinned children disowned their darker parents? As hard as that is to accept, I think it must have been true in rare cases, maybe even still today.