Robert Mitchum is a rich and powerful man. He's also a 'man's man'--tough, adventurous, a great hunter and one who likes to lead a manly life. However, he also has the morals of a sewer rat--and frequently sleeps with women--even though he's married (to Eleanor Parker). As a result, their marriage is VERY strained and they are distant. They have a son (George Hamilton) and the parents both want to shape him into their sort of man. As for Hamilton, he desperately wants to be respected by his father and be the manly sort. He has no idea what sort of reprobate his father is--that is, until he asks out a nice girl and her father flatly refuses to allow this. The pair decide to start dating on the sly.

As Hamilton is molded into a man like his father, he's told by his father to be mentored by one of his most trusted employees (George Peppard). Eventually, however, Hamilton learns that this 'employee' is actually his dad's illegitimate son as well what sort of man his father really is--and it sends him off the deep end. When his girlfriend becomes pregnant, what sort of man will Hamilton turn out to be? And, what will become of this rich but no account family? And what about George Peppard--what about him?! This is a glossy soap opera, though it may not appear so when it begins. In many ways, it's in the same tradition as "Peyton Place" and "A Summer Place"--enjoyable, glossy, very well-acted and a bit trashy--but mostly enjoyable. It ended very well--very, very well. And, the film has a lot to say about what it means to be a man...a REAL man.

Home From The Hill though it is located in Texas has the look and feel of those southern stories made so popular back in the day by William Faulkner and Tennessee Williams. This is not the Texas of say Giant, this is East Texas which bares quite a lot of resemblance to the delta country of Louisiana and Mississippi. And Robert Mitchum's Wade Hunnicutt is not quite the same kind of local patriarch as Rock Hudson's Bick Benedict.

Whatever else Bick Benedict was he was certainly loyal to Elizabeth Taylor. Whereas Robert Mitchum's been absolutely notorious for sowing his wild oats around the whole region. Eleanor Parker stays married to him, more for the sake of propriety than anything else, and for their son George Hamilton.

Some of Mitchum's good old boy drinking buddies like Guinn Williams and Denver Pyle send young Hamilton on that southern tradition, a futile snipe hunt. That little prank actually sets the whole plot of the film into gear. It's supposed to be women who gossip, but these good old boys also with some of their locker room gossip that Everette Sloane overhears that sets the climax of the film going.

Robert Mitchum is cast in one of his best roles and it's ironic that he was a second choice for Clark Gable. I doubt that Gable could have done better with this part. The always dependable Eleanor Parker matches Mitchum all the way with her performance as the suppressed wife.

George Hamilton and George Peppard got very good roles in Home from the Hill in the salad days of their respective careers.

Though Home from the Hill does veer into soap opera it's held together primarily by director Vincent Minnelli and by a great cast he assembled.

Captain Wade Hunnicutt (Robert Mitchum) is shot by a jealous husband during a hunting trip. He's a wealthy powerful womanizer in his Texas town. Hannah (Eleanor Parker) is his long-suffering wife. She promised to stay as long as she raised their son Theron (George Hamilton). He's now 17, innocent and somewhat clueless. Rafe Copley (George Peppard) is Wade's right hand man. Wade wants to toughen Theron into a man like himself rather than a momma's boy.

It is often the case that the word melodrama denotes an inferior film. It's hard to say that the melodrama here has detracted from this movie. It is easy to say that the material demands the melodrama and the movie steers into it. The acting is terrific and well-fitting. This is like a night time soap and it is a good example of one.