This movie seems like a silly project on paper but the eventual movie is nevertheless still quite fun to watch.

This movie is a Japanese attempt to blend in the Frankenstein creature with the Japanese monster movie-genre. It's like Frankenstein meets Gojira, only the creature in this movie is named Baragon, who looks like a giant armadillo, or of course better said a guy in a rubber suits that looks like a giant armadillo.

It's all quite silly of course but yet the movie works on a certain level of entertainment. You could basically say that this movie is just as good and fun to watch as basically any other Japanese monster movie from about the same time period.

You could tell that in the first halve of the movie they somewhat tried to remain faithful to the Frankenstein movie. They also tried to give the character a heart and let him struggle with the same emotions and difficulties the character has always struggled with in the Mary Shelley novel and all of the Frankenstein movies and tried to make the movie somewhat intelligent and scientific. It's not like it ever works out well enough or becomes believable but this is mostly because they did not go all the way with it. After all, it seemed more important for them to make a monster movie, so here we have a Frankenstein creature that suddenly starts to grow 4 times his normal size and battles Baragon, a prehistoric creature from the depths of the Earth, who has been awakened by oil drillers.

Therefore the lovers of these Japanese monster movies will be the ones to most likely enjoy this movie. It all builds up to its obvious ending, in which the Frankenstein creature battles the man in the rubber suit. The fight is literally laughable to watch but this is of course also part of the charm of movies such as this one.

It's all pretty silly but it was fun to watch!

6/10

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This movie is Toho's version of Mary Shelley's Frankenstein. It has a dramatic, war-themed script by Takeshi Kimura and a very masterful and marvelous music score by Akira Ifukube. The war scenes were thrilling and astonishing, especially the aftermath of the Hiroshima bombing.

Frankenstein's beating heart and crawling hand are a unique experience to see in a Toho picture. The appearance of the mysterious radioactive boy, later known as Frankenstein, is intriguing-leaving you wonder what his purpose in the movie is.

The three lead actors of the film, Nick Adams, Kumi Mizuno, and Tadao Takashima delivered good comprehension. Frankenstein's good side could be seen in the eyes of Mizuno, while Adams shed new hope and light during the aftermath of the bombing, hence the part when he says science sometimes progresses from war and must turn the advantages of it into happiness for the future.

The special effects were again handled by Eiji Tsuburaya, who truly did a spectacular job, despite the fact that movie critic Leonard Maltin said this movie had poor special effects (he probably doesn't digest the fact that this movie was made in 1965).

There are plenty of monster action (though some do drag); Baragon wrecking havoc on villages and devouring living things depict true sci-fi horror.

Ishiro Honda did a terrific job on directing: All the actors, monsters, plot lines, drama, and effects were woven into to create a very entertaining movie.

Grade B+

As a fan of the genre. I had the opportunity recently view this film. As a child I remembered watching this film during the days of "Afternoon Movie Theater" I believe that it was called at Channel 7? It was known as "Frankenstein Conquers the World" and it was quite entertaining. I was young and things of that nature would entertain me. Anyway, back to my review. The movie starts out with a very eerie tone accompanied by very chilling and memorable music, thanks to maestro of music, Akira Ifukube. I believe the score of this music was excellent which I believe help or even save the movie at times. The audience is presented with a World War II torn Germany who gives up Frankenstein's heart to the Japanese. After it's arrival in Japan for experiments, Hiroshima is destroyed by a A-bomb and shifts to present day in Japan. Helps the movie in the fact that gives off enough background information. Anyhow, the Frankestein's heart was supposedly eaten by a young boy who survived the destruction of Hiroshima. Scientist's find the boy for further experiments after he has committed criminal activities (eating dogs, rabbits, etc..)for his survival. The boy grows in a rapid pace and has to be placed in a larger cell for his own protection. He escapes and hides in the forest and hills of Japan. The second monster introduced and first appearance ever in the Kaiju genre is the ever popular, Baragon. He does his monster destruction and eventually meets up the overgrown and poorly designed Frankestein. Of course this is main attraction of this film. The fight scenes are pretty kool and enjoyable. I don't ever remember seeing two monsters going at it as much as this movie, maybe the exception of Baragon and Godzilla in "GMK: Giant Monsters All Out Attack". Sufficed it to say, Frankenstein wins out and kills Baragon surrounded by a forest of fire. I happen to watch the Japanese version where the Giant Octopus appears and engages in combat with Frankestein and eventually fell off the cliff, taking its entangled prey with him into the sea. A prequel to "The War of the Gargantuas"!! Although I've seen the "Americanized" version of this film with the ending deleted, an earthquake type scene. With the flames in the background, the land would open up and engulf both Baragon and Frankenstein to the bottom of the earth. I still prefer the Japanese version. Overall, very underrated and entertaining film. But, believe me, the score of the film is what gives an added punch. More like, destruction, despair and sadness with a touch of domination. If you're a fan of the Japanese Sci-Fi genre, I would view this one.