Dollman (1991) was a cheesy science fiction/action film that didn't try to pretend it was anything but. Tim Thomerson stars as Dollman, a diminutive alien who's travels through space and time to capture a galactic fugitive. The low budgets of this film shows through when the film maker uses a lot of bad trick photography and repeated use of film stock in several places to pad out the film's running time. Does Dollman get his man? How will he adjust to Earth's strange people and planetary environment? To find out you'll need to track down a copy of DOLLMAN.

Recommended for cheesy film fans.

Tim Thomerson stars as Brick Bardo (No relation to the same Brick Bardo who beat up tons of people in Bloodmatch)an alien cop (Not unlike the cop from Trancers) who follows one of his adversaries to earth only to stumble onto earth where he is only a foot tall, it's here he joins forces with a ghetto woman to protect her from gang violence. Jackie Earle Haley (Before his Oscar nod) is the gang-leader who is Thomerson's main enemy. Believe it or not, Jackie Earle Haley could always act and his Oscar is no fluke, as he delivers a not too shabby performance and Thomerson of course as usual is enjoyable to watch (Of course) this is a perfectly watchable B.movie, with a good sense of humor, some good action sequences and for once Pyun's disjointed and over the top directing is appropriate. So all in all this is one of Pyun's better efforts and a distinctive B.movie.

* *1/2 out of 4-(Pretty good)

Brick Bardo (Tim Thomerson),a tough cop from the planet Arturus, pursues his evil nemesis Sprug (Frank Collison),a living disembodied head on a flying machine, across the far reaches of space to Earth (the South Bronx, to be precise) where he discovers that, by Earth standards, he is the size of a doll.

But as the saying goes, size doesn't matter, and after Sprug teams up with the local gang who have been terrorising the neighbourhood, Bardo becomes a miniature Dirty Harry crossed with Paul Kersey from Death Wish III, blowing away the scum and punks with his powerful side-arm.

Dollman is so cheap that it lifts special effects shots from the cheesy 70s/80s TV series 'Buck Rogers in the 25th Century', but producer Charles Band and director Albert Pyun are no strangers to movie-making on a shoestring and still manage to provide a reasonably diverting time despite the obvious budgetary limitations.

Early scenes feature some neat full-body explosions, Bardo's gun being capable of blowing people completely apart; Thomerson puts in a fun performance, delivering his Eastwood influenced one-liners in a suitably gruff manner; and there are some truly daft moments that are just too ridiculous not to enjoy (Bardo's dive through a window and onto a moving car is hilarious!).