As the film covers 30 years, the key emotional points of such a story are incredibly accurate. The film's tone is brilliantly handled, the delicate weakening of the spirit, the darkening of the world, the East buildings subtly not changing but getting older while the West becomes subtly more modern. Unless one lived through much of the story, much may be missed. But every detail is important. Credit to the director, the writer and the actors for incredible performances: the repressed anger, the repressed joy, the repressed hope... everything just below the surface. Forever, the question, who could have done what differently? There was never an answer then, and there is no answer now.
Plot summary
East-Berlin, 1961, shortly after the erection of the Wall. Konrad, Sophie and three of their friends plan a daring escape to Western Germany. The attempt is successful, except for Konrad, who remains behind. From then on, and for the next 28 years, Konrad and Sophie will attempt to meet again, in spite of the Iron Curtain. Konrad, who has become a reputed Astrophysicist, tries to take advantage of scientific congresses outside Eastern Germany to arrange encounters with Sophie. But in a country where the political police, the Stasi, monitors the moves of all suspicious people (such as Konrad's sister Barbara and her husband Harald),preserving one's privacy, ideals and self-respect becomes an exhausting fight, even as the Eastern block begins its long process of disintegration.
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Recent German History summed up in compelling drama
THE PROMISE (Das Versprechen) by Margarethe von Trotta is must viewing. There is no easier and more entertaining manner to understand recent German, and Central European, history than by watching this film. It plays very well on video, and the interesting locales and action will excite those who dislike subtitles. THE PROMISE is an epic drama focusing on divisions: in love, in a nation, in its capital city, in its politics, and in love. Indeed a love story is the vehicle used for this extraordinary epic, recounting the three decades between the Berlin Wall's first barbed wire, and its fall. Some critics, forgetting what a historical epic requires, dismiss the film as cliche-ridden. Well, of course, "War and Peace", "Gone with the Wind", "Dr. Zhivago", were successful due to the use of composite characters or cliches. These are necessary to explain history in a medium like the cinema. Ms. von Trotta is to be congratulated not only for this and other great political films (i.e."Rosa Luxemburg") but for being one of the only German filmmakers to tackle the controversial topic of German reunification. A declared socialist from Western Germany, Ms von Trotta lends the film a point of view that is as unbiased as I can imagine. Don't miss it. A lot of people did because of the film's timing. The last thing I guess most Germans wanted to see at the movies in 1994 was a reminder of the results of reunification. For this reason, this great film was unfairly denied its place in European Film History.
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Nice, deep detail
As the 20th anniversary of the fall of the Berlin Wall approaches, I re-watched this film with more pleasure than the first time around.
Others have commented much of what I'd have to say. But one particularly touching scene stuck most in my memory: Alexander (from West Berlin) brings a toy panda bear to his half-sister Elizabeth (in East Berlin). He suggests they could go to the Western Zoo to watch a live animal. But Konrad, their father, knows this isn't possible at the time, and suggests the Eastern Tierpark instead - but they don't have pandas there, only brown bears. So at night, he takes the panda from sleeping Elizabeth's arms, and paints it brown...
Just retelling this little part of the film makes tears well up in my eyes again.