Crucible Of the Vampire: An interesting Folk Horror film which has echoes of Witchfinder General, The Wicker Man and the Vampire Lovers. A young archaeologist, Isabelle (Katie Goldfinch) travels to a Gothic stately pile to examine half a cauldron which has been found during renovations. This may be the missing half of a Druidic cauldron which Isabelle's University holds. The family at the old house are rather creepy with the father apparently intent on selling the artifact. The dancing daughter has her sights set on Isabelle. There are flashbacks to the 17th Century when a Witchfinder and his soldiers hang a man they accuse of sorcery and cleave his cauldron in twain. The local woods are reputed to have been cursed by evil since ancient times. Some of the effects are a bit ropey but there are are effective dream and vision sequences. The mansion provides long corridors for chasing and the Vampires do have some bite. Not a classic but worth watching. Directed and Co-Written by Iain Ross-McNamee. I watched the Director's Cut on Flick Vault. 6/10.

CRUCIBLE OF THE VAMPIRE is nothing more than a typical indie horror movie, hot on location and attempted atmosphere but absolutely lacking everything else required to make a 'proper' movie. There's cardboard characterisation, block-headed scripting, a singular lack of incident, and a plot that seems to have been mish-mashed together from bits and pieces of other, better movies. The only cast member of note is poor old Neil Morrissey, whose appearance in this makes I BOUGHT A VAMPIRE MOTORCYCLE look like a masterpiece by comparison.

Director Iain Ross-McNamee makes very good use of what is clearly a small budget, for this UK horror story. Veteran actors Brian Croucher (Doctor Who, Blake's 7 and EastEnders) and Neil Morrissey (Boon, Men Behaving Badly) feature alongside newer names to give a good variety of ages and acting.

Special effects are used with great restraint, and when they do occur, are pretty impressive. The locations, and the vampiric atmospherics they bring about due to fine cinematography, are more immersive than the story being told, however. Rather than a traditional 'Wicker Man'-style tale of mysterious locals and cavorting sects, I think a weirder, more personal story would have benefitted from McNamee's talents. There is a certain Jean Rollin-esque style to some of the latter scenes and the way they are composed. Rather than embracing a style of film that has been told more expensively elsewhere, a more dream-like narrative would have been more suitable. There are several nods in that direction, with a certain erotic charge involving the excellent Katie Goldfinch (as Isabelle) and Florence Cady (Scarlet) and some fine locations (beautifully lit) with a dark fairy-tale quality. A little more of this and this enjoyable 96 minutes might well have been even more absorbing.