Elliot Hoover (Anthony Hopkins) believes that 11-year-old schoolgirl Ivy Templeton (Susan Swift) is the reincarnation of his daughter, who was burnt alive in a car wreck. Is he a nutter? Ivy's parents (Marsha Mason and John Beck) think so… at first.

IMDb categorises Audrey Rose as horror, and the film is listed in my trusty Aurum Encyclopedia of Horror, but it's not in the least bit scary, shocking, or disturbing: the only freaky thing about the whole film is the titular character's 'Crazy Frog' expression, all bug eyes and manic grin. Rather than a sense of fear, all I felt was irritation every time the girl cried, whimpered or screamed, or gave the camera one of her unconvincing smiles or vacant looks of bewilderment.

As if Swift's performance wasn't grating enough, the rest of the cast seem to do their utmost to compete: John Beck's character is a total asshole, Mason's histrionics are hard to bear, and Anthony Hopkins adds to the overall annoyance with his repetitious calling of his little girl's name in an attempt to soothe her. Audrey Rose! Audrey Rose! Audrey F**ing Rose! Aaaaarrrggggh! Put a sock in it, Hopkins!

The final straws that broke this camel's back were the dull 'made-for-TV movie-of-the-week' direction and the choppy editing, the film jumping awkwardly from one scene to another. All told, this is a weak effort, horror or not!

What could have been a derivative version of THE EXORCIST turns into something special in the hands of Hollywood director Robert Wise. AUDREY ROSE is a story dealing with reincarnation, a topic that doesn't get tackled too often in Hollywood. As such it feels fairly fresh and interesting, especially in the first half of the movie. The picture is blessed with a strong cast, none stronger than the great Anthony Hopkins whose character treads a fine line between creepiness and being sympathetic. He plays a grieving father convinced that a couple's daughter is the reincarnation of his own deceased child. I found that the film falls apart a little in the second half, turning into an EXORCIST clone at times, and failing to really do much with the premise; the ending is emotional but also a little hollow. But it's still beautifully made and far more intelligent than you'd expect given the genre.

In New York, Janice Templeton (Marsha Mason) is happily married with the executive Bill Templeton (John Beck) and they live in a comfortable and fancy apartment with their eleven year-old daughter Ivy (Susan Swift).

One day, Janice is stalked by a weirdo and she tells her husband. Soon the stranger contacts them and invites the couple to meet him in a restaurant. Elliot Hoover (Anthony Hopkins) tells to Janice and Bill that his daughter Audrey Rose died eleven years ago burned in a car crash and her soul would have reincarnated in Ivy's body. Bill and Janice believe that Elliot is nuts and Bill tells his lawyer to get a restraining order against Elliot.

However, Ivy has dreadful nightmares and only Elliot is capable to calm her down. When Elliot abducts Ivy, Bill and Janice go to the court to arrest him. But Elliot wants to prove that Ivy and Audrey Rose are the same soul.

When I saw "Audrey Rose" in the 70's, I found it a great film of reincarnation. I have just seen it again on DVD and this time I found it a reasonable film only with a flawed screenplay. Maybe the film is dated, with the present behavior of people.

The unstable Janice Templeton, performed by Marsha Mason, is an inconsistent and irritating character. Her attitudes are ridiculous and she never supports her husband, even in court when she is summoned to testify. My vote is six.

Title (Brazil): "As Duas Vidas de Audrey Rose" ("The Two Lives of Audrey Rose")