Asura city's foundations are completely mired in madness, just like the rest of humanity. The only difference is - Asura doesn't bother to hide it. The city has no rules at its foundation except the basest of human nature, exposed. That is its truth, its mystery and its unknown law. What every other city calls "order" is an attempt to impose something comprehensible and workable.
When you realize this, only one things can be worse - that everyone else also realizes this - that all their purpose is full of craziness and at bottom, utterly illogical. Together they bring out the worst in each other. Every diabolical villany is accounted for - in full, shameless display through snarling contempt and nonchalant ultraviolence.
Start at the very bottom of our base nature and progressively work downwards from there into the abyss. Relentlessly finding untraceable paths that are successively worse than the last, leading to only one conclusion.
You wanted to accept everything. Now accept that groups of men are so completely mad, that should their veil of civility be lifted, they are dancing with each in the darkest places of hell. Asura lifts that veil. Asura is a bonfire of all vanities - and the bigger the fire grows - the more darkness is revealed.
Genius yes, because the difference between insanity ahd genius lies in how others accept your insanity. Korean films are 1000 years ahead of Hollywood and 500 years ahead of European cinema.
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Detective Han (JUNG Woo-sung),who for years has been secretly doing dirty work for the corrupt mayor Park Sungbae (HWANG Jung-min),is now pressured by a ruthless prosecutor Kim Cha-in (KWAK Do-won) to cooperate in an investigation against the mayor. Feeling trapped, Han persuades his young partner Sunmo (JU Ji-hoon) to take over his work for the mayor, but things start to get tangled in unpredictable ways. As things are getting worse, only the most evil survives in this dog-eat-dog world.
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