A man kills Professor Ragheeb (George Coulouris) and takes a hieroglyphic from his glasses. Then he seeks out the American Professor David Pollock (Gregory Peck),who is an expert in hieroglyphics at the Oxford University, and tells that his name is Major Sylvester Pennington Sloane (John Merivale). He invites Pollock to travel to London to meet the wealthy Nejim Beshraavi (Alan Badel) to translate a cipher in a hieroglyphic, but Pollock refuses the work.

Soon Pollock is summoned by the Arabian Prime Minister Hassan Jena (Carl Duering),who is unofficially in England and asks him to accept the assignment and spy the activities of Beshraavi that might be plotting something evil.

Beshraavi offers 30,000 dollars to Pollock to work in his mansion deciphering the hieroglyphic. Pollock meets Beshraavi's mistress Yasmin Azir (Sophia Loren),who tells him that he is in danger and Beshraavi will kill him in the end of his work the same way he did with Professor Ragheeb. Pollock and Yasmin flee from the mansion with the hieroglyphic, but he is double-crossed by Yasmin and captured by Yussef Kasim (Kieron Moore). Soon the professor is deeply involved in an international conspiracy where everybody wants the cipher and he does not know who is trustworthy.

"Arabesque" is a funny rip-off of "007" movies combined with "North by Northwest". The story of a clumsy professor from Oxford that is involved in an international conspiracy in London has hilarious moments, like for example the shower scene with Sophia Loren that makes this movie worthwhile. My vote is seven.

Title (Brazil): "Arabesque"

Sometimes it's difficult to say why one likes a film.

Undoubtedly, what is most memorable about this film is Sofia Loren (as with any of her films). She remains beautiful and charming regardless of the script's worth Admittedly, the script isn't worth much; Peck's character is given all these imitation-Bond one-liners that are like listening to a relative speak only in bad puns, as some of my relatives do. The plot is only fair, and some of the plot-twists absurd. The film is over-long and wallows in its own cleverness. Undoubtedly, some of the visuals in this film are just experiments in '60s psychedelic 'hip' - occasionally confusing, utterly annoying.

But the film gets carried by Peck, hammy but companionable, and Ms. Loren. It's definitely entertaining, and more than one scene may stick with you for some years - although I find it difficult to say just why. My suspicion is that the glittery surface of the film, which is very light, is used to make palatable realities that are very dark - like the drowning of the killer in the aquarium. Ultimately the film feeds on the ambivalence of the audience, because in part it generates this ambivalence intentionally.

Hardly a great film, in some ways a bad film, but worth a couple hours entertainment.

Considering that this film featured Gregory Peck and Sophia Loren, I expected more than I got. While not a bad film, it is pretty ordinary and ultimately pretty forgettable. There are a few cute moments here and there but ultimately, the film just fizzles instead of sizzles. I saw that someone compared this film to an earlier Donen-directed effort, CHARADE. They are pretty similar, I guess, when it comes to the chemistry and the writing--and it's pretty obvious that the director is trying to replicate the previous film. There are just so many similar elements, though Sophia Loren is playing the role played by Cary Grant in the previous film and Gregory Peck is taking Audrey Hepburn's! Both films tried very hard to be cute and sexy,...but CHARADE seemed more magical and original and ARABESQUE seemed a lot like a re-tread.