Passable urban action / crime flick starring Vincent Spano as Johnny, a young thug who gets into big trouble when his mobster bosses order him to torch a building, and because this is the same building in which his mom (Zohra Lampert) and sister (Jami Gertz) reside, he stalls and then ultimately defies them. If anything, "Alphabet City" is certainly a very slick affair, and it's no surprise that the director, Amos Poe, had music video experience. On the plus side, it is incredibly fast paced, and stylish, but in the end it's quite unmemorable. It's just too hard to care very much about any of these characters. The acting is generally competent but the performers are all basically playing archetypes, existing in a pretty standard story of people trying to rise above their meagre surroundings. It IS a treat to see the interesting Ms. Lampert; cult horror fans will recognize her from the 1971 favourite "Let's Scare Jessica to Death". Spano exerts a respectable amount of "cool" in the lead, with amusing support from Michael Winslow, best known as Jones from the "Police Academy" franchise who does have some dramatic moments here but also the opportunity to do some more of the sound effects shtick for which he's famous. Gorgeous Kate Vernon (daughter of the legendary John Vernon) is pleasing to look at, if not terribly convincing, in her first major role, and the same goes for the young Gertz. Familiar folk in smaller roles include Raymond Serra as the mob boss Gino, Tom Mardirosian as Benny, Tom Wright as a chauffeur, Clifton Powell as Ramon, and Miguel Pinero, creator of the stage play "Short Eyes", as a dealer. The dated pop soundtrack is good for some amusement, if also rather repetitive; the main music score is by industry great Nile Rodgers. The NYC location filming is a big, big asset. The climactic action, however, ends up descending into silliness. Overall, a fairly entertaining melodramatic little flick. Five out of 10.

Ultra-Low-Budget but done with a panache that is still somewhat beautiful today with its garish nightlife colors and an Artistic Flare that is rarely achieved in this type of Quickie. This is a Sleeper and is a fine example of what you can do with limited resources.

This has more appeal than a lot of Mainstream Movies with huge amounts of Money and very little Talent. The street scenes have a glamorous gritty look and remind one of a Comic Book or something out of the imagination.

This is an underrated, underground Film treat and could be defined as a Cult Movie that has yet to be acknowledged for what it is. A great looking, surreal, well-done take on a time of opulence and decadence, shown here as a picture postcard from a Twilight Zone. Nothing here is presented or meant to be realistic. It is a swath of decay presented as a twinkling other place that is as accessible as it is disturbing.

Kudos to all involved, especially the Cinematographer and the Art Designer. But it took a group effort to pull this one off and make it so much better, Artistically, because it hardly stood a chance and rose above its restraints and Money-Men meddling.

Ugh, this has to be one of the worst movies I have ever seen, and this, in addition other movies I have seen, makes me very cautious of anything with Vincent Spano in the starring role.

Alphabet City, is as one viewer commented, a nice visual display. Though space is developed out of a few cheaply constructed movie sets, it seems to be the only thing done with great care, presenting an atmosphere of moody colors (green and purple lighting dominates) and architecture. However, for most movies, visual aesthetics cannot alone suffice for the entertainment of a whole film. And with Alphabet City, it doesn't account for much more than a condolence prize as if to say, "well, at least the movie looked nice."

Alphabet City takes place in the course of one day. Local street dealer, Johnny (Vincent Spano),comes off as arrogant more than he does tough. With everyone so nonchalant about his present occupation (which includes being a Mafia subordinate),it is a wonder why everyone is so shocked when things fall apart. Did they expect the good life of fast money to last forever? Early in the movie, the writers hint that something is wrong. That we should expect trouble, and the only place we should anticipate it, is to arise from Johnny's life as a street gangster. I mean, what the hell else should we expect it from, since nothing else really happens in this stupid movie. And, this is a little difficult to surmise at first, since we don't really get much of a story. We don't know much about the characters pivotal to Johnny's role.

Johnny just keeps up the limited, arrogant character throughout the movie as he realizes things are going down. We aren't given much reason to care about the sequence of events, since nothing is really differentiated from one to another. For example, a bust breaks out at "The Store" where significant dealings occur. A heap of money is lost, leaving Johnny owing his boss a whopping fifteen grand (why a guy that powerful would hang on to Johnny who was noted for losing much cash before, still want to do so is questionable). But, it's like, Vincent Spano's deadpan delivery makes us wonder whether Johnny really cares about much of anything. He's too buy keeping up the tough guy front. And that's the case for the entire movie. The events transpire without too much development, and as a viewer, I certainly lose interest in a movie like this, because it only provides minimal explanation of what is going on, and gives little reason to tell the viewer why these occurrences are important.

Alphabet City is a real disaster.