Detectives Brian and Van Cleef are assigned to investigate the murder of Mob lawyer Blackmer. The case becomes complicated when Brian falls for Ralston, who is a suspect in the case. This causes friction between Van Cleef and Brian. Meanwhile witness Grey tries to blackmail Stevens who she believes killed Blackmer. Plenty of plot twist make this a good story with unexpected ending.

One might ask what Republic Pictures was doing making a color film in what is otherwise a "B" crime drama. Well, this was another showcase film for Vera Ralston who happened to be married to Herbert Yates, head of Republic at the time. It's to bad. Had Ralston's part been played by the likes of Marie Windsor or Audrey Totter and filmed in black and white, it would be a good little film noir. Still worth a watch for the story as well as noir characters Barry Kelley and Elisha Cook.

If for no other reason, I have three (3) absolutely insane reasons to enjoy watching this movie.

1-baby blue Continental automobile was a separate "make" from the Ford Motor Company for just the 1956 and 1957 model years.

2-Virginia Gray sweating profusely, and her bright blue eyes.

3-the almost matching (different color jackets) blackamoor lamps at the ends of the bar in the nightclub.

And a color picture from Republic in 1956 because the studio boss' wife was the singer.

Although there are some quite promising plot ideas in this screenplay, adapted by Bob Williams and W.R. Burnett from Burnett's 1952 novel titled "Vanity Row", Republic's stereotyped, "B"-movie handling leaves a lot to be desired. The film emerges as a dull and dreary low-budget thriller, complete with uninspired characters yet hardly a second of action. Certainly, despite a fine cast line-up headed by David Brian, Vera Ralston and Sidney Blackmer, director Joe Kane does not evince even a spark of interest throughout the whole dreary proceedings which seem to drag on and on well over the film's actual running time of 74 minutes. Production values are negligible.