Wow! Hollywood is expanding and seeking out new environments. This time Orlando Bloom and Forest Whittaker are sent to South Africa - into a dark the sinister Apartheid leftovers.
Great acting by both of them. Great photo and great plot. Violent, although probably not violent enough to do the setting justice, and grim. Tough lives and tough country. No country for weak men.
Please make more of this kind. Please allow the actors from the Lord of The Ring, and such, to really show what they are capable of - instead of hiding behind special effects.
See it!
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Plot summary
As a child, Ali Neuman narrowly escaped being murdered by Inkatha, a militant political party at war with Nelson Mandela's African National Congress. Only he and his mother survived the carnage of those years. But as with many survivors, the psychological scars remain. Today, Ali is chief of the homicide branch of the South African police in Cape Town. One of his staff is Brian Epkeen, a free-wheeling white officer whose family was originally involved in the establishment of apartheid but who works well with Neuman. Together they have to deal with crime that inevitably exists in sprawling areas of un- and under- employed people, crime exacerbated by gangs, both local and from other parts of Africa. Their job gets even more difficult when the corpses of two young women are found. A new evil has been introduced in the city and a new drug has been introduced to its residents, including both murder victims. At the chaotic crossroads where brutality and modernization collide, the echoes of apartheid still resound in the shadows of a society struggling toward reconciliation.
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Outside the Hollywood comfort zone
I love South Africa and I wanted to love this film.
This film is set in my very favorite city in the world, Cape Town, South Africa—and I just got back from a trip there about a month and a half ago. I've been there a couple times and it is truly beautiful. Table Mountain and the sea shores are just amazing. Additionally, when folks in the film suddenly started talking in other languages, this seemed pretty understandable to me, as the country has 11 different official languages and English and Afrikaans (an Africanized version of Dutch) are NOT spoken by all. And, when you see huge fences around homes, again, I was not at all surprised by this. In fact, I loved seeing and hearing all this. And so, it can be rightly assumed that I really wanted to love this film, as I really love the country. Unfortunately, my love for South Africa and its people did NOT extend to this film. It seemed crude and muddled and is a film I wouldn't recommend to friends.
The first portion of the movie worked fine for me. Aside from a seemingly irrelevant intro where you see one of the leads as a child as he watches his father being burned to death as well as LOTS of gratuitous nudity, the film kept my attention. Forrest Whitaker and Orlando Bloom (neither one of which is African, sadly) play detectives who are investigating a vicious killing. A woman is discovered near the Botanical Gardens and she's been horribly beaten to death. However, this goes from being just a vicious killing to something much deeper—and a strange conspiracy that really didn't work for me. I'd say more, but I don't want to spoil the plot.
So why didn't I like the film? Well, the last portion seemed to be constructed with far less care than the first half of the film. While I didn't buy the conspiracy angle, the mystery and how it was all unraveled led to many scenes that just didn't make logical sense. First, if this was such a HUGE conspiracy and involved millions of Rand worth of profits, how was it THAT easy for Orlando Bloom's character to just sneak into the place and steal incriminating information of the computer?! After all, folks had been trying to kill him and his partner and the corrupt superiors at work were pressuring him to drop the case. Additionally, once he got this information, the baddies called him and demanded he return the evidence or they'll kill his ex-wife, you would assume no one would be stupid enough to simply go to rescue her with absolutely no back up—especially since they'd already killed a lot of folks. Yet, inexplicably, he walks right into this situation and only survives because it's such a contrived movie. That's because although the baddies had been very willing to massacre everyone that got in their way, like in a James Bond film, they didn't just put a bullet into the detective's head but gave him ample opportunity to escape! And, the very ending and what occurs to Forrest Whitaker's character
.it just didn't make a lot of sense either. Nor, for that matter, the lack of footprints in this desert locale.
The bottom line is that unless you are absolutely crazy about seeing Orlando Bloom's butt, I can't think of a lot of reasons to see this film. While the depiction of the police as being corrupt and South Africa being a violent place isn't far from the truth, the film just makes too many logical leaps to be taken very seriously. And, I was a bit turned off by all the violence and nudity—they got in the way of the story. For me, a much more enjoyable film about South Africa is White Wedding—a charming little comedy that you cannot help but like.
If you do see this film, a couple things to note: the term 'coloured' in South Africa refers to bi-racial people, not blacks and a 'shabeen' is a locally owned and operated shop that serves drinks in the poor townships as opposed to the more upscale pubs in the suburbs.
Hard-handed thriller
ZULU is a surprisingly decent and hard-handed crime thriller that hails from South Africa. The story involves a pair of mismatched cops, each with their own personal problems, who find themselves investigating bizarre and violent murders in the locality. Their path leads them to a dark conspiracy involving mind-altering drugs, a government cover-up, and a very sinister organisation. Be warned, this is a graphic movie packed with sex and violence in a way reminiscent of GAME OF THRONES.
It's also a very good one. Orlando Bloom has grown as an actor over the years and gives a solid, likeable turn here. Forest Whitaker steals all his scenes as the older cop with a dark secret and shows that he might have lost his weight but he's lost none of his talent with it. The twisty-turny story piles on the tension and builds to a satisfyingly cathartic climax. It's a thumbs-up from me.