In a time of dread, seers have foretold the birth of a child that would bring about the downfall of the powerful Queen Banmorda (Jean Marsh) that wants to destroy the baby. When the child is found, her midwife flees with her. But she is hunted down by dog-like creatures and she puts the baby on a wooden raft to be carried out by the river. The Daikini (human) child is found by the Nelwyn (dwarf) family of the farmer and aspirant magician Willow Ufgood (Warwick Davis) and his wife decides to take care of her. But when the dog-like creatures attack the Nelwyn village, Willow discloses the baby to the council. The sorcerer High Aldwin (Billy Barty) decides that Willow shall take the baby back to the crossroad of the Daikini land with a small group and deliver her to a responsible Daikini. But Willow meets the thief Madmartigan (Val Kilmer) locked up in a cage and he believes Madmartigan is not the right person. However he is convinced by his friend to deliver the baby to Madmartigan. But soon the fairy Cherlindrea (Maria Holvöe) tells that the baby is Elora Dana from the omen and is a very special baby. She also tells that he must protect Elora and deliver her to the sorceress Fin Raziel (Patricia Hayes) that will raise her. She also gives a magic wand to him to deliver to Fin Raziel. Willow embarks in his journey with Madmartigan and the Brownies Franjean (Rick Overton) and Rool (Kevin Pollak) but they are chased by Queen Bavmorda's daughter Sorsha (Joanne Whalley) and the evil General Kael (Pat Roach). The struggle between good and evil begins.

"Willow" is a magic adventure from the magic 80's, when most of the best recent movies were made. This fantasy has action, adventure and romance in an excellent screenplay and special effects. The characters are charismatic and there are many funny scenes. Unfortunately this type of movie that is pure magic and entertainment has been recently forgotten by the studios. Today I have just watched "Willow" on DVD and it was a magic travel to almost twenty-eight years ago. My vote is eight.

Title (Brazil): "Willow – Na Terra da Magia" ("Willow – In the Land of the Magic")

When Neil Armstrong set foot on the Moon in 1969, the whole world paused; now such things are second nature to everyone, veritably taken for granted as more and more science fiction becomes reality every day. In 1977, when George Lucas made `Star Wars,' it turned the cinematic universe on it's ear with it's scope and vision, offering things neither seen nor experienced by anyone before; now his accomplishments are virtually taken for granted, his vision dismissed by many with a shrug. But in this original story by Lucas, that vision is captured once again and proffered to the world via the magic of the movies, in `Willow,' directed by Ron Howard.

A long time ago, in a galaxy perhaps far, far away, a baby comes into the care of the elvish Willow Ufgood (Warwick Davis) and his wife, Kaiya (Julie Peters). The infant bears the birthmark of the one prophesied to come who will put an end to the tyrannical rule of the evil Queen Bavmorda (Jean Marsh). But the Queen, too, knows of the prophecy and is seeking the baby bearing the telltale mark. For the sake of his village, as well as the safety of the child, it falls to Willow to transport the baby to a safe haven beyond the boundaries of his land and the reach of Queen Bavmorda. So Willow sets out upon his journey, and along the way finds an ally-- maybe-- in the person of the self-proclaimed `World's greatest swordsman,' Madmartigan (Val Kilmer),and together (sort of) they embark upon an adventure that will ultimately lead them to a final confrontation with the evil Queen herself.

With some help from George Lucas, Ron Howard delivers this highly imaginative tale-- which bears that unmistakable Lucas touch-- with a touch of magic of his own. A showcase of special F/X-- it pioneered the `morphing' technique so vital to the success of films like `The Abyss' (filmed one year after this one) and `Terminator 2: Judgment Day' (1991)-- it is nevertheless decidedly not a `special F/X' movie. The F/X, though a big part of the film, to be sure, do not supersede the story. And because of that, it makes that necessary emotional connection with the characters possible, and takes the whole film to a higher level. A big part of what has made Lucas and Howard so successful, in fact, is that innate ability of being able to tap into the humanity of any given story (With Lucas, for example, his `American Graffiti' and even `THX-1138,' and Howard's `Parenthood,' `Night Shift' and `Apollo 13') and knowing how to convey it to their audience. It's the difference between being a true filmmaker, and just someone to whom an opportunity is handed who simply hasn't the insight or sense of human nature to know what to do with it (Like Adam Shankman with `The Wedding Planner,' Jeff Franklin's `Love Stinks,' Nick Gomez with `Drowning Mona' or Peter Ho-sun Chan's `The Love Letter.' All movies that suffered greatly because of their director's inability to do what Lucas and Howard do so proficiently and seemingly with facility).

In the title role, Warwick Davis does a good job of bringing Willow to life, as does Val Kilmer in the flashier role of Madmartigan. Joanne Whalley does a decent turn as Sorsha, daughter of the evil Queen, but is overshadowed by the deliciously sinister rendering of Bavmorda by Jean Marsh, whose wickedness is shamefully delightful.

In a supporting role, however-- and with extremely limited screen time-- it is Julie Peters who really captures the attention with a sincere and affecting performance as Kaiya. She has such a pure and natural manner that it's hard to believe this is an actor playing a part; the realism she achieves, in fact, can be compared to that of Harriet Andersson in any one of a number of Ingmar Bergman's films. Her ability is a true gift that endows her with a quality and a presence that would make her an asset to any film, as she certainly is here. And it's a shame she has apparently never been afforded the opportunity of plying her craft more-- `Willow' is her only feature film. It's a singular success, however, and one of which she can be proud. Her portrayal of Kaiya goes far in demonstrating the positive effect a supporting role can have on a film, especially when it's this well acted.

The supporting cast includes Patricia Hayes (Fin Raziel),Billy Barty (High Aldwin),Pat Roach (General Kael),Gavan O'Herlihy (Airk),David Steinberg (Meegosh),Mark Northover (Burglekutt),Kevin Pollak (Rool),Rick Overton (Franjean) and Maria Holvoe (Cherlindrea). With an intelligent screenplay by Bob Dolman and original music by James Horner, `Willow' is an entertaining, enlightening film, rich in characterization and metaphor, with a subtle message and a moral that unobtrusively makes a statement about diversity and the value of an individual's contributions to the society of which he is a part; as well as the fact that one person can, indeed, make a difference. Visually stunning, too, it's a transporting experience truly filled with magic, and a journey definitely worth taking. I rate this one 9/10.

Before Frodo and Aragorn hit the screen there was Willow (Warwick Davis) and Madmartigan (Val Kilmer). The similarities between the two run deep but never mind that.

Willow is a Nelvin (a little person) who has to protect baby Elora Danan from the evil Queen Bavmorda (Jean Marsh). Bavmorda must destroy the baby as it was prophesized that this baby would spell the end of Queen Bavmorda. Willow would require the help of many along the way including Brownies and Daikinis.

This movie was fantasy, action, and even comedy. The situation is dire but there is a lightheartedness about it all. It's a good movie that could have benefited greatly from being released in the CGI era.