Wild Strawberries

1957 [SWEDISH]

Action / Drama / Romance

Plot summary


Uploaded by: FREEMAN

Top cast

Max von Sydow Photo
Max von Sydow as Henrik Åkerman
720p.BLU 1080p.BLU
760.52 MB
946*720
English 2.0
NR
23.976 fps
1 hr 31 min
P/S 3 / 6
1.45 GB
1408*1072
English 2.0
NR
23.976 fps
1 hr 31 min
P/S 1 / 22

Movie Reviews

Reviewed by evanston_dad10 / 10

Stunning Bergman Masterpiece -- Maybe His Best?

"Wild Strawberries" profoundly moved me. The theme -- an old man coming up fast on death and wondering if his life has had any meaning -- is an old one for Bergman, and one which he explored ad nauseum throughout the subsequent decades. But here Bergman approaches the question with an uncharacteristic optimism and sense of hope. For once, he seems to come close to finding some peace with the unknowns of life that obviously preoccupied him as an artist, and the movie he gives us is sad but immensely warm; resigned but calm and reflective.

An unequivocal masterpiece, and only one of a handful of Bergman films ("Persona" and "Cries and Whispers" being two others) that don't drive me over the edge when I watch them now.

Grade: A+

Reviewed by MartinHafer9 / 10

exceptionally well made

Although I'm not the biggest Ingmar Bergman fan, I have really enjoyed some of his movies--especially the one that are not so pessimistic. Although the underlying theme of this movie is aging and impending death, the movie is NOT all pessimism. If it had been, it would have lost my interest early on. Instead, I really enjoyed the film--particularly the fine acting by Victor Sjöström as Professor Borg.

The professor is well-respected for his work as a doctor. However, despite his success in his career, he is a failure in his personal relationships. His emotional baggage over the years has prevented him from allowing himself to be close to those he truly loves. This theme mirrors one of the subplots of Through a Glass Darkly, where a father is being destroyed inside by his daughter's mental illness but he CANNOT allow himself to show his anguish--choosing instead to hide in his room with his tears. It is interesting that the same man playing Borg's son (Gunnar Björnstrand) plays the father only a few years later in Through a Glass Darkly.

Fortunately, unlike Through a Glass Darkly, there IS evidence that the professor is willing to change his persona, as he begins to open up more through the course of the movie. This appears to be assisted through extensive soul searching and dreams the professor has concerning his past and his own mortality--along with experiences he has during a long drive down the coast of Sweden. Because of this, even his extremely strained relationship with his son appears to hold some hope of improvement by the film's end. This hope for change lifts this movie above some Bergman films that only wallow in hopelessness.

FYI--The Criterion version of this DVD is nice due to its running commentary as well as the accompanying documentary. Get this version if you have the chance.

Also FYI--After watching many Bergman films and reading about his life, I detect quite a bit of autobiography in this film and his own stuggles with intimacy.

Reviewed by TheLittleSongbird10 / 10

Another one of Bergman's best

Ever since I first saw Wild Strawberries, like with The Seventh Seal, Fanny and Alexander and Cries and Whispers, I was blown away by how well made and thought provoking it was(it is one of his more accessible films too). Ingmar Bergman's direction as ever is superb, there is a certain warmth to how he composes and conveys everything. Wild Strawberries looks gorgeous, it is beautifully shot with atmospheric lighting and scenery. It isn't a Bergman film either without memorable images, and Wild Strawberries has those certainly. Some people may find the symbolism of the nightmares with the handless clocks and runaway hearses somewhat overpowering, I didn't think so, I found them very haunting and even fascinating to watch. It is the more beautiful images where Wild Strawberries really drew me in, the memories of the idyllic summers are among Bergman's most beautiful and finest moments. The score fits perfectly, while the script is incredibly thought-provoking, and the story contrasts innocence with the expectancy of youth with bitterness with the regrets of old age very movingly. Victor Sjöström is on magisterial form being both frosty and vain as his character seizes the chance for redemption. Overall, one of Bergman's finest, a wonderful film in all regards. 10/10 Bethany Cox

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