"Whore" is , appropriately, a cartoonish response to "Pretty Woman". The cartoonish, satirical bent the film has (in the face of its horrific situations) is exactly what makes it so brilliant. What was so awful about "Pretty Woman" was the commodification of prostitution as something glamorous, fulfilling and rewarding; pablum to be swallowed by American masses. "Whore"'s success depends less on the performances and direction and more on the viewer's willingness to think. The ideology that Ken Russell has placed on the material is unmistakable and renders everything else about the film meaningless. It really comes down to the viewer--If you are intelligent enough as a viewer to read the subtext, you either agree with it or you don't. Personally, I love everything about it, from Teresa Russell's sarcastic, bombastic, career-wrecking performance to the simple joy of seeing Antonio Fargas on screen again, "Whore" is a great, intelligent film worth repeated viewings. The real tragedy is that this will be Ken Russell's last great film. He has lived long enough to see his wonderful style get railroaded into soft-core porn and made-for-cable sci-fi. The world would be a better place if he had been bestowed with the same luck as Paul Verhoeven.

Whore (1991) was Ken Russell's take upon the life of a prostitute. You can call this the real "Pretty Woman". I enjoyed this movie very much because of the gritty realism Mr. Russell uses in this one. Theresa Russell is excellent as the "whore" who gives us an insider's view of the world of low-class prostitution. It's no the glamorous life as most of the women who fall prey to "the oldest profession". Women so desperate to make a living turn to an easy way of making quick cash. Many of them are strung out on drugs, milked for every cent by their pimps or wind up in jail. Too bad this movie is all but forgotten. Whilst movies like "Pretty Woman" show us the bright side of prostitution, "Whore" shows us it's true dark self.

I found this movie to be very interesting. It took a lot of courage for Mr. Russell to make such an non-commercial film. If it were available on D.V.D. it would be a part of my collection. Maybe one day it'll get it's due. Followed by an unrelated sequel.

Highly recommended.

Check out Ken Russell's bit role as the high class waiter.

Ken Russell's "Whore" begins with an amusing shot of cars driving through a tunnel (R-rated Freudianism?) coupled with a Jamaican rap on the soundtrack about doing the "boom boom" with girls. Russell, who directed the film and co-adapted the screenplay from David Hines' play, is highly adept at quirky bits of business--blending hammy, outré comedy with blunt-force dramatics--but with "Whore", his mix of in-your-face, sexually-comedic bits and pieces are not always compatible bedmates next to the violence or the introspective moments. Theresa Russell plays Liz, a streetwise hooker full of bravado; often addressing the camera directly, Theresa speaks with an odd swagger in her voice (as if she's channeling someone standing beside her). Striking amazing poses--like Lolita all grown up--Theresa Russell has some choice moments (usually when she's not speaking, as with a silent come-on to a guy who turns out to be gay),but she is not a vulgar, cartoony actress and is too refined to be slutty. Her performance continually improves, however it isn't in the actress's nature to talk tough like a lady truck-driver. There are well-wrought sequences (such as when Russell's friendship with a possible lesbian is interrupted by a vicious pimp, an incredible moment done without principle dialogue),but the film isn't very sexy. Those looking for a raucous good time will be disappointed (can you imagine how that inelegant title looked on the movie theater marquees?),and those hoping for a serious take on the prostitution business probably won't stick around past the first hour. Many scenes simply fall flat, yet "Whore" is a mixed-bag; it's not a deep-thinker, it's not exceptionally revealing, but it leaves an impression behind, along with some giggles, some embarrassment, and some sadness. ** from ****