Mark Duplass stars as Sam--a loser who, in his mid-30s, has no home and no job....but he is in a band! When he moves in with his aunt and her family, he mostly sits around doing nothing--that is, until he gets drafted into taking his 14 year-old cousin and his friend on a camping trip. Now considering all three have exactly the same maturity level, you know things can't go well with good 'ol Sam in charge! And, not surprisingly, that's exactly what happens. Can Sam somehow, for once, short some maturity and get them back safely? Or, will they be eaten by bears and squirrels and hippies in the Pacific Northwest?
This is an unusual film in many ways. It is NOT formulaic but at the same time I am sure a lot of folks WON'T like it very much because it does not have a happy ending. I respect it, however, because it avoided formula and because the filmmakers did a good job of actually capturing the essence of 14 year-olds. Instead of the Hollywood way where you get a 20-something to play a 14 year-old, these really WERE kids that age. And, they talked like kids that age--not like Hollywood versions of kids! I only recently retired from teaching and know how 14 year-olds talk--and they DO talk like the boys in "True Adolescents". Worth seeing even if the film seems very incomplete by its conclusion.
Plot summary
Craig Johnson's poised and poignant first feature follows Sam (Mark Duplass),an, unbeknownst to him, washed-up rocker in the early stages of haggard. Jobless and apartment-less, he crashes with his aunt (a compassionate Melissa Leo) as a last resort and becomes reluctant camping-trip chaperone to her teenage son and a pal. That the three males are on par, maturity-wise, makes for engaging ensemble juvenilia. But in the stirring Pacific Northwest wilderness a surprising discovery turns dire -- and the distance from boy to man must be covered overnight. Duplass's ballsy and at times balls-out performance is a winner, particularly when Sam at long last takes stock of himself: it ain't pretty.
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An interesting though flawed character study.
Maturing mumblecore
Sam is a character who hates the idea of growing up, and, even as he approaches his mid-thirties, he clings onto the idea that he is a musician that will get his big break any minute from now. His ideology is the kind teenagers exiting high school or entering college possess, but then go onto approach a life-realization that they're living in a fantasy. Sam hasn't received such an awakening, and this makes for the perfect coming of age film centered on a character that solemnly loathes the idea.
Sam is played by Mark Duplass, who, consistent readers will know, is quickly becoming one of my favorite male leads. After getting kicked out by his girlfriend, Sam crashes at his aunt's home in upstate Seattle (Melissa Leo) where she lives with her teenage son Oliver (Bret Loehr). When her divorced husband calls off the camping trip between him and Oliver, Sam feels almost obligated to take his dad's place and, after some convincing by his aunt, reluctantly takes Oliver and his best friend Jake (Carr Thompson) on a replacement camping trip.
In a Hollywood film, the formula that would prove prophetic is that the three would be met with The Great Outdoors-style problems, wreak havoc on mother nature, have their actions prove reckless and almost inconsequential to nature and man, and walk away learning just about nothing. Thankfully, this is not a Hollywood film. It's a subtle, successful merge between a "mainstream" independent movie and the grassroots of comprehensive mumblecore (another recent example of the hybrid would be Colin Trevorrow's Safety Not Guaranteed).
Mumblecore is often characterized by the naturalistic flow of its dialog and the inherent messiness of its videography and editing. Here, it has that polished look, while maintaining naturalistic dialog executed wonderfully by actors lacking a household name (with the possible exception of Leo). By the middle of the second half, I felt I kind of knew were this was going, yet was still liking every minute of it. It is then the film introduces an unexpectedly daring twist that catches one off-guard and ushers in a plethora of story possibilities, resulting in a pleasant maturity for the cast and crew. Writer Craig Johnson doesn't cop out when the going gets tough, but forces his characters to buckle down and grow up within the last half hour of the film.
True Adolescents brilliantly showcases the maturity of a genre and its characters, by, as always, giving them a brutally honest slice of life and utilizing small events as the film's main conflicts. The character actors are wonderful, the scenery of the Olympic Peninsula is gorgeous, the scenery, especially in the woods, is thrilling and inviting, and all of this makes for a wonderfully earnest debut from writer Craig Johnson, who may rank next to the Duplass brothers, Andrew Bujalski, and Lynn Shelton as the best mumblecore directors in the business.
Starring: Mark Duplass, Bret Loehr, and Carr Thompson. Directed by: Craig Johnson.
An Interesting Coming-of-Age Film
True Adolescents had its world premiere at the SXSW Film Festival in Austin, TX. It is a solid effort at exploring the efforts of a man in his mid-30s who hasn't quite grown up to bond with his teenage nephew and his buddy during a weekend camping outing. The characters are well-developed and the acting is solid. Mark Duplass's Sam is a failed musician who needs to figure out what he is doing with his life. His immaturity is finally challenged as he is forced to become the responsible adult. The story is entertaining if not spectacular. The acting is fairly good and the characters and their relationships to each other are well-developed. The ending sequence seems a little hokey. Although, the film probably won't get widely distributed, it is nevertheless a worthwhile effort.