I didn't think Clint Eastwood would star in a movie he doesn't direct anymore. Actually I never thought he'd star in a movie period. Then again Amy Adams and Justin Timberlake are there to support him. And if you look at it closely it's more an Amy Adams vehicle. Still the daughter-father relationship is explored in major detail here. And it works for the movie as well, even if it sometimes feels a little clichéd.

I'm not that familiar with the game as most Americans are, but the theme of technology against human is not uncommon. And it shouldn't surprise when you have Clint in the movie either. There is drama and there is comedy, but everything is carried by the three mentioned performances. They are believable and if you can dig the story, you will like the movie too

It pains me to say that I've already heard many people say they will not be seeing Trouble with the Curve because of Clint Eastwood's "antics" at the Republican National Convention just a few weeks ago. Their loss. Not being able to separate the man from the actor is something that took me a while to do, but the way some do it now is childish and immature. I wonder if those same people knew Eastwood was a Libertarian/Republican when he was playing "Dirty Harry." Hard to believe it has been nineteen years since Eastwood himself acted in a film he has not directed. He lends the camera to Robert Lorenz, who assisted him in directing much of Eastwood's filmography, including Flags of Our Fathers and the acclaimed Best Picture winner Million Dollar Baby. Lorenz's captures screenwriter Randy Brown's simple but uplifting, intimate story of a man's devotion to a game and his brewing reconnection with his daughter he seemingly abandoned at a young age.

I'll catch you up; Eastwood plays Gus Lobel, an elderly scout for the Atlanta Braves baseball team, who is becoming increasingly frail and ill-equipped with deteriorating eyesight. The Braves are losing faith in Gus's abilities, because in recent years, baseball has been run more by computer predictions and online statistics rather than physically sitting in the stands and scouting. Gus doesn't hold back on his hatred for computers, making them sound like limited fossils and being unable to predict more detailed outcomes. One wonders if he is mindlessly ranting or wouldn't even like a computer if he knew how to use one.

Pete, played by John Goodman, on a roll now with winning films, is Gus's close friend who is convincing the Braves' organization that despite Gus's poor eyesight, that he is an invaluable asset and needs to stay. He recruits Gus's daughter, Mickey (Amy Adams),to assist him in scouting a young prodigy in North Carolina, who currently plays for a high school team. Mickey's mother died when she was young and shortly after, Gus sent her to live with relatives whom she barely knew. During the scouting trip, Mickey winds up meeting one of Gus's friends whom he used to scout back in the day, named Johnny "The Flame" Flanagan (Justin Timberlake),for his one-hundred mile-an-hour fastball. We can see where this is headed.

We can see where much of the film is headed throughout its runtime but it's scarcely a burden because the warmth and bold character study on three of 2012's most interesting characters is a soothing and efficient one. Eastwood turns in the racism and foul rants he expertly utilized in Gran Torino for some nuanced anger as Gus, and as always, comes off as charismatic and effortlessly likable. Amy Adams does some fine work here, showing us that she is an up-and-coming female actress that is going under the radar, somewhat like Emily Blunt, and fearlessly plays the role of a woman in desperate need of answers, which her father will not give her. And Justin Timberlake continues to show is versatility and heart playing a totally different character from his last one and hitting every note properly.

It would appear that screenwriter Aaron Sorkin could have possibly started a new trend with sports films that was seldom seen before his film Moneyball, and that trend is centering a story around a sport but making the center the characters and not the on-field theatrics. Never are we truly consumed in the story of this young scouter, but we shouldn't be. And never were we truly gripped by the Oakland Athletics players in Moneyball - mainly because we never saw them play or were even formally acquainted with them. Both films center around the same sport, but ones' agenda is to show the gritter business side of baseball, while the other is the story of a father and daughter reconnecting with the sport in the foreground. With both films, it's needless to say, I'm all for this brewing trend.

Starring: Clint Eastwood, Amy Adams, Justin Timberlake, Matthew Lillard, and John Goodman. Directed by: Robert Lorenz.

While this is billed as a Clint Eastwood film, the star of the film seems to be Amy Adams--who seems to get more than her share of screen time. Regardless, it's an enjoyable and original film--and one worth renting.

Eastwood plays a cranky old man--much like the guy he played in "Gran Torino" but without the race prejudice. He's definitely a crusty old guy and has a habit of pushing away those who should be closest to him--particularly his daughter (Adams). However, now that he's in his 80s and his eyesight is failing, he really has no choice but to ask for help--but he's just too darn stubborn to do so. So, his boss (John Goodman) takes it on himself to call her and let her know that he's in need of help--especially if he wants to keep his job as a major league scout for the Atlanta Braves. As for Adams, she's a crazed workaholic who wants to be made a partner at her law firm. But she also KNOWS she should help, so for the first time in years, she takes a bit of vacation time to meet her dad in North Carolina--where he's scouting a new hot prospect. Not surprisingly, the film has a lot to do with family and reconnecting but it also is about learning to slow down and enjoy life--something which Adams doesn't seem to know how to do--particularly when she meets a nice young guy (Justin Timberlake--who is really growing into a good actor) who is interested in her. Where does all this go? See the film.

My score of 7 was a tough call and I almost gave it an 8. I think my reason for ultimately deciding on a 7 is that, to me, this seems much more like a rent it than go to the theaters to see it sort of movie. The acting is nice, the story unusual enough to merit watching it and there is a wonderful relaxed quality about it that you often don't find in Hollywood films. On the downside, the ending did seem a bit unreal...but still quite enjoyable.