This excellent movie is set in 1965 Indonesia, when an Australian reporter named Gay Hamilton is assigned on his first work as a foreign journalist. His apparently simple mission to Yakarta soon turns hot when he interviews a rebel leader , while President Sukarno was toppling by pressure left from communists and right from military. Guy soon is the hottest reporter with the help of his photographer, a native, half- Chinese midget named Kwan . Eventually Hamilton must confront moral conflicts and the relationship between Billy and him reaches some problems connected with a British diplomatic attaché , at the same time the political upheaval takes place in coup détat.

Mel Gibson is good as correspondent covering a conflict and finding himself becoming personally involved when he befriends a free-lance photographer named Billy Kwan and falling for a beautiful Embassy assistant, a mesmerizing Sigourney Weaver .The movie has its touching moments found primarily in the superb supporting performances as Michael Murphy as lively journalist , Bill Kerr as veteran Colonel and of course diminutive Linda Hunt who steals the show as sensible photographer in her Academy Award-winning character, a woman acting a man, and well deservedly prized. Moving and intimate musical score though composed by synthesizer by Maurice Jarre. Atmospheric cinematography that adequate as a mood-piece by Russell Boyd.

The motion picture is stunningly directed by Australian director Peter Weir who achieved several hits (Witness, Gallipoli, The last wave) and some flop (Mosquito coast, The plumber). The movie belongs to sub-genre that abounded in the 80s about reporters around the world covering dangerous political conflicts , such as Nicaragua in ¨Under fire¨ by Robert Spottswoode with Nick Nolte , Gene Hackman and Joanna Cassidy, Salvador in ¨Salvador¨ by Oliver Stone with James Woods and James Belushi, and Libano in ¨Deadline¨ by Nathaliel Gutman with Christopher Walken and Hywel Bennett. These movies are very much in the vein of ¨The year of living dangerously ¨.

President Sukarno of Indonesia was able to maintain control of the nation by forging an uneasy alliance with the PKI--the country's communist party. However, this scared the nations of the West and upset both Muslims and the military which tended to be further right politically. This film is set in the mid-1960s....during Sukarno's final days as the true president of his nation. And, at this point the nation might swing to communism or become run by right wing reactionaries. Ultimately, the right staged a coup and kept Sukarno around a bit longer as a figurehead, but General Suharto and his supporters went on to butcher perhaps a million or more communists during a lengthy purge. Someone watching this film today could easily not understand this political context...as well as the country's nearing civil war at the same time Southeast Asia was in crisis.

Mel Gibson plays Guy Hamilton, an Australian journalist working in the capital, Jakarta. His assistant, Billy (Linda Hunt) seems drawn to the left and does much to guide Guy's stories. At the same time, Guy has fallen for a British lady from their embassy--though she (Sigourney Weaver) doesn't sound the least bit British. Through the course of the film, the country moves left and then right...and danger abounds.

This was a very well made drama, though I did have a quibble about the character played by Michael Murphy. He was an American reporter who could best be described as an evil, lecherous pig and it felt disingenuous to have him be the only American in the film...not that jerks like this guy didn't exist. Otherwise, compelling and worth seeing.

THE YEAR OF LIVING DANGEROUSLY is an Australian film shot by Peter Weir that looks at a military coup in Indonesia in the 1960s. The story is told through the eyes of Aussie reporter Mel Gibson, in one of his early fresh-faced star-making turns, and is one in a slew of similarly violent journalist abroad-based true stories made during the era (THE KILLING FIELDS perhaps being the best of these).

It's an engaging story for sure, but I found the film a little lacklustre. Too much of it seems to focus on a romance with the fine Sigourney Weaver, and there isn't much political context. In fact, I found that the film only really gets going in the last 40 minutes or so and until that point the pace flags. Towards the end, however, we get some excellent plot twists and some very hard-hitting material, and it's very good indeed; a shame that the rest of the movie didn't follow suit.

My enjoyment of the tale was also spoilt by the presence of Linda Hunt playing a young Chinese guy in the ultimate Hollywood example of 'yellow face' make up. Hunt is never convincing and a complete distraction, especially when you hear her soft feminine vocals coming out of this supposed guy's mouth. The Spock ears don't help much either. I was astonished to read that she won an Oscar for this caricature performance, which to my mind is no better than that of Peter Sellers in MURDER BY DEATH.