If I hadn't paid attention to the opening credits, I never would have guessed that this was directed by Cecil B. DeMille. For years, I have disliked his films (particularly those made in the sound era)--mostly because his epics all seem to have cool special effects but also lag way behind the average film when it comes to characterizations. In other words, the films look good but often the dialog is silly and the characters very under-developed. However, unlike films such as THE TEN COMMANDMENTS or REAP THE WILD WIND, this one had a lot of heart and was an excellent picture in all respects. Sure, the special effects and cinematography were great (really great),but it didn't surprise me that the sets looked like Java--after all, it's DeMille. But for once, the supporting characters were rather three-dimensional and the only complaint I have about any of them is Loraine Day. Her character and how it was integrated into the plot didn't seem to work very well--but this is a very, very minor quibble.

Gary Cooper plays the title character. He also starred in two other DeMille films, THE UNCONQUERED and NORTHWEST MOUNTED POLICE, though I think he was best in this film because his part was a little more subdued--creating a quiet strength instead of the usual macho hero (probably because Dr. Wassell was a real person). This doctor was one of the last to try to vacate Java when the Japanese invaded in 1942 and the film was intended as a propaganda piece to encourage Americans at home and abroad due to the heroism in the story. Along with Cooper is a fine ensemble cast of supporting characters. And, thankfully, these supporting characters generally were not just cardboard stereotypes--a definite plus over some other similar films from the period.

All in all, it's an interesting film that's worth your time and an excellent example of the type of films DeMille could do had he chosen to focus more on people than special effects and spectacle.

Country doctor Dr. Wassell (Gary Cooper) is working on the island of Java as Japanese forces sweep across the Pacific. He boards a train with wounded sailors from the damaged cruiser Marblehead. He joins local nurse Tremartini "Three Martini". He and his charges are picked up by retreating British troops to be evacuated to Australia.

Cecil B. DeMille could have simplified this to a shorter movie about the evacuation. Apparently, he got the idea for the film after hearing about Dr. Wassell from one of President Roosevelt's radio broadcasts which is shown at the end of the movie. He can't help but make a movie that is way too long. The last hour almost works as a long escape road movie. It's rather static for an action thriller. It needs more intensity. That's after an hour and a half of really static story telling. It was released while the war is still raging and that is very heartwarming in a heart-wrenching time. In fact, the radio broadcast is probably the most compelling part of the movie.

Gary Cooper did four films with Cecil B. DeMille and this is easily the best of them. Although World War II is now history at the time this film was made, the incidents described were two years old. The attack sequences were brilliantly staged in the best DeMille manner, a kind of preview of 3-D.

DeMille in his autobiography admitted that the romantic flashbacks concerning Dr. Wassell were completely made up. The real Corydon Wassell and his wife were married all the time the action of the film took place. He described as a white lie, I think one's marital status is a bit more than that. Having said that the teaming of Cooper and Laraine Day was worked well and the romance fits in nicely.

Dr. Corydon Wassell was an early hero of World War II who was a doctor in the US Navy having been previously a medical missionary in China. He was ordered to abandon his stretcher cases as the Allies were evacuating Java in 1942 before the Japanese advance. He stayed and got themsafely evacuated with a few adventures along the way. He was decorated by President Roosevelt and FDR's radio message concerning Wassell's courage inspired DeMille to make this film.

DeMille said he could only envision Gary Cooper for the part. I'm sure that was the case because of DeMille's past success with Coop, but also because the Arkansas born and bred Wassell was similar to Cooper's own Oscar winning character of Tennessee native Sergeant York.

The rest of the cast performs admirably. The most poignant scene in the film involves a woman being shot during the Japanese aerial attack on the Dutch freighter Janssen in front of her little boy. As she urges the kid to go on and not look back, if a tear doesn't come to your eye you are made of stone. DeMille's films, especially his costume pictures sometimes have some stilted Victorian dialog, but in this one there is none.

Also I'd like to single out from the supporting cast Paul Kelly who plays one of the stretcher cases. He's a griper and a complainer all the way through, but when that kid's mother is shot as I previously described, he takes charge of the little boy in a scene that is the best in the film. Also Philip Ahn who plays Cooper's oriental confidante does it with strength and dignity which were his hallmarks as an actor when so many Asian players were stereotyped.

Even if you don't like DeMille, you'll like this film.