Good drama with a bit of mystery thrown in. It's hard to say what's more beautiful in this movie the locations, which are breathtaking or Lee Remick and Alan Bates both at the peak of their individual attractiveness who are equally stunning. They offer the best performances doing an uncertain dance around each other never sure of the other's motives. Laurence Harvey is his usual squirrelly pompous self but that fits the role. Well known to be an abrasive, selfish, uncooperative and egotistical jerk behind the scenes Harvey apparently was incredibly difficult on this shoot to the point where Lee Remick refused to discuss the problems but was quoted as saying "The tales I can tell of working with him are too horrendous to repeat." Not a classic Reed film but he guides the film well although apparently his confidence had been shaken by exiting another troubled production, the Marlon Brando Mutiny on the Bounty, just prior to this.

"The Ballad of the Running Man" (also called "The Running Man") is a frustrating film. It starts off very well and about midway through, it all seems to fall to pieces. It's a real shame, as the movie hooked me and then just left me hanging.

The film begins with a funeral. Rex has apparently died--leaving a young widow, Stella (Lee Remmick). However, a bit later you learn that Rex (Laurence Harvey) is NOT dead but has been faking it. Why? Because he felt the insurance company had cheated him when he'd been in an accident. In a way, you feel a bit sorry for the couple.

Rex disappears to Spain and has created a whole new identity as a blond Aussie. Stella soon joins him--but they cannot act like husband and wife because they don't want to arouse suspicions. During this time, you see a significant change in Rex. He's really enjoying the high-life and seems ready to perhaps commit insurance fraud again--whereas Stella just wants to settle down some place and live a quiet life. He's a great portrait of a sociopath, that's for sure.

All this is quite interesting. However, what happens next is pretty limp. The same insurance man who paid off on Rex's supposed death just happens to be in Spain and meets up with the grieving widow and her new friend, the Aussie (Rex). It's pretty obvious that he's caught them and yet absolutely nothing happens for the next 30 or so minutes. The three go to dinner, have drinks, go to the beach and a lot of other mundane things. Then, completely out of the blue, Stella sleeps with the insurance man--and you are left very confused wondering as to why she did that. In fact, not understanding folks' motivations becomes a big problem with the film. Because of this, it made me feel like I'd wasted my time watching. It really looks like they'd only written half the script and just decided to wing it in the middle.

THE RUNNING MAN is a light and breezy thriller with a Spanish setting for the most part. The premise is good - another spin on the old 'insurance scam' plot - but unfortunately it devolves into a love triangle for the most part and dawdles along for much of the running time. Laurence Harvey is always good value as the man who fakes his own death in order to get one over a company he believes betrayed him, and Lee Remick does her best as his wife; Alan Bates is also good value as the dogged investigator. But the script is hardly zingy, and once the action shifts to Spain things slow down to siesta-speed. It's a bit beneath the usual fare put out by director Carol Reed.