The REBOUND is a romantic comedy, that follows the story of Sandy (Oscar winner Catherine Zeta-Jones – Chicago, The Mask of Zorro series, Entrapment, Traffic) as a happily contented wife and mother – that one day comes across a revealing video on her computer of her husband having an affair with another woman. She leaves the family home and takes her two children to start afresh in New York – looking for work within her favourite pastime (sports statistics) – and living in an apartment above a coffee shop.

At the same time, Aram (Justin Bartha) – who works in the coffee shop, is just getting over his new french bride dumping him - as soon as she's achieved her "green card" status.

Sandy and Aram lives get more and more interwoven when she needs a baby sitter and they gradually get closer and closer.

Her friends want Sandy to start dating again – and Aram's parents want him to make more of himself – all claiming that they are both on the rebound … but, there is much more going on ...

Adequately directed by Bart Freundlich, and very well acted by the Main leads – this story moves along well and is one of the better chick flicks out there – and, as always, it stands or falls on the chemistry of the main actors (which works in this case) – and as usual all the best one-liners come from the two children

"Sometimes you need to travel the world - to discover what you really needed all along was right here at home …"

I would say that for it class and genre, that this would be a successful movie and is recommended as a romantic comedy

Sandy (Catherine Zeta-Jones) is a very organized, type A mother who adores her two kids. However, she catches her husband in an act of infidelity on a webcam and decides to change her life in a major way. Instead of the suburbs, she moves her family into an apartment above a Manhattan coffee shop & starts a job search. Meanwhile, getting-a-divorce Aram (Justin Bartha) is a barista at the cafe, despite having a college degree, which displeases his extremely pushy parents (Art Garfunkel and Joanna Gleason). On their advice, Aram tries a part time stint at a woman's issues agency, where he has to dress up in a protected suit and let the women vent their angers on him! One of them happens to be our Sandy, naturally. All too soon, these two meet again when she returns to her department. Needing a babysitter one day, she asks Aram to help her out. The two children, a boy and a girl, adore him so before long Aram is installed as the nanny. Also, despite the decade of age difference between S and A, they have eyes for each other. Something may be approaching, in terms of a relationship, but how can it survive when it is more of a "rebound" coupling? This is a nice flick, written and directed by a respected indie filmmaker, Bart Freundlich. He himself is married to Julianna Moore, who is a few years older than her husband. Therefore, he has good insight into a May-September relationship. Zeta-Jones and Bartha, who seem an odd couple at first evaluation, give nice performances as the afflicted twosome while all other cast members do a nice job, too. Sets, costumes, and photography are likewise quite attractive. The resolution is admirable, as it strikes a balance between a ride into the sunset and an unhappy finish. The only minor criticism is that there is some salty dialogue and scenarios that won't please the G-rated crowd, so stay away from it, if this applies to you. That said, most romcom fans will like it just fine.

Suburban mom Sandy (Catherine Zeta-Jones) finds evidence of her husband Frank cheating on her son's birthday party video. She takes her 2 kids to live in the city while she's getting a divorce. She takes a fact checking job on a sport channel. She's compulsively organized and had spent all her spare time compiling sports data. Aram Finklestein (Justin Bartha) is 24 and still recovering from the breakup of his marriage to a French girl who only wanted him for a green card. He's working at a coffee shop but his aimless lifestyle concerns his parents. Sandy moves into the apartment above the coffee shop. He babysits her kids. She starts writing sports stories. He starts working as her nanny. Eventually they date. Only they're both on the rebound or are they?

Both Catherine and Justin are perfectly nice actors portraying perfectly nice characters. There isn't much in terms of hurdles other than their age difference. Catherine is so hot that her age doesn't necessarily matter at least to the audience. Written/directed by Bart Freundlich, the movie shows more competence than anything extraordinary. The romance is as predictable as it gets. The comedy has a couple of charming chuckles. This is a mildly amusing rom-com.