This satire on the TV industry is too much of it, with mountains of cheesy plot-driven dialog set to the accompaniment of hyper-cheesy music. But mixed in are some great gags--one of the best is a sight gag, when Gerrit Graham walks back on stage at the MBC confab, to continue plumping his network's new shows against a devilishly appropriate freeze-frame from one of them. Much of the value now is to have fun seeing all kinds of talent before, between, or after the high points of their careers. Casting wise, this show could pick 'em.

The strongest element here is the apt satire. Alas, the laughs are not frequent enough, or intense enough, to really sustain the effort. The movie in the end is a cheese dog, but the stars play it cute, and it's fun. Five stars for wide and deep star power, far transcending the script.

The stage curtains open ...

I stumbled across this one the other night and decided to give it a go. For a 1984 made-for-cable-tv movie, it wasn't half bad. I researched this one a little bit and found out that not only was it Danny DeVito's directorial debut, it was also the first original movie produced by Showtime. DeVito also starred, and starring along with him, was his real-life wife of two years, Rhea Perlman.

Vic DeSalvo (DeVito) has aspirations of making it big in Hollywood. He has written the script for what he believes will be a knock out winning sitcom called, "Sittin' Pretty" - where a college boy gets to room with two blonde bombshells while they are at school. However, the pilot show went so horribly bad, that the station director decides to run his show in the same time slot as the World Series so that it has no shot of becoming a regular on-the-air show. DeSalvo's new squeeze, Francine Kester (Perlman),works with a ratings agency and shows him how to beat the system.

This was a fun and clever comedy film with a good enough plot and acting to keep you engaged and smiling. It is made-for-tv, so the production value isn't anything spectacular, but it was good for its time. DeVito and Perlman showed great chemistry, no doubt a roll over from their marriage to each other, and were characters you can grow to care about. This was only maybe the 2nd movie I've seen them in together, besides "Matilda", and they were very enjoyable.

This isn't a big recommend, but I would still recommend it to anyone who needs a nice little escape to yesteryear with a fun little comedy long forgotten. Like I said, I found it by accident and I'm glad I took a chance on it. Worth the time spent. It gets a strong 6 stars out of 10 from me.

Veteran actor Danny DeVito here does a creditable job of directing what is a pretty clever skewering of the television industry. Vic De Salvo (DeVito) has had tremendous success in the trucking business, only now he's moved to L.A., and he has his heart set on attaining fame and fortune as a T.V. producer / star. His truly awful sitcom idea ends up becoming a huge hit after he's conspired with his girlfriend (played by DeVito's real-life significant other, Rhea Perlman) to manipulate the ratings system.

For this viewer, 'The Ratings Game' didn't necessarily generate any true belly laughs, but it's still an intelligent, amusing piece of work. DeVito displays his typical comic energy playing this shameless, unapologetic scoundrel, and milks the Jim Mulholland / Michael Barrie script for everything that it's worth. What's more, the romance between Vic and Francine is actually quite appealing, with the two stars unsurprisingly showing off real chemistry. (Francine is a notable contrast to Carla Tortelli, Ms. Perlmans' best-known TV character.). And Vic is the kind of guy whom you can't help but like, despite his shadiness. The phoney sitcoms he has devised are a hoot in their tackiness; to be fair, they probably wouldn't be much worse than some actual sitcoms that have made it to air in real life. DeVito's storytelling skills are solid, as well as his pacing. At no point do you feel that he's just marking time.

What's truly impressive is the cast that DeVito and casting director Marci Liroff assembled for this thing. There's a non-stop parade of familiar faces: established stars, stars-to-be, and many top character actors.

This landmark TV movie (one of the earliest made for cable TV) doesn't seem to be that well-remembered 36 years later, but discerning viewers will find it to be well worth their time.

Eight out of 10.