Maggie Smith revels being in "The Prime of Miss Jean Brodie," a 1969 film based on the play by Ronald Neame. Smith, in her great film role, plays the narcissistic, romantic, unconventional Jean Brodie, a teacher in a conservative school in 1932.

Brodie refers to her 12-year-old students as "her girls," rhapsodizes about her lover who fell in World War I, shows slides of her trip to Italy, extols the virtues of "Il Duce" (Mussolini) and Fascism, and has picnics with the students, serving food such as pate de foie gras. The headmistress (Celia Johnson) may not like her, but two male teachers (Robert Stephens and Gordon Jackson) are crazy about her: one the handsome, married art teacher, whom she won't let herself love, and the other, a weak, traditional man who wants marriage but gets the free-wheeling Ms. Brodie instead.

One can't help liking or even loving Jean Brodie, mostly because of the vivid characterization of Maggie Smith - her Brodie is funny, fun, eccentric, devoted, and loves bucking the system. Underneath all that "truth" and "romance," however, is a woman with a very over-idealized view of the world, a woman who doesn't really see "her girls" as anything but tools in her own game and to satisfy her own needs. One student (Pamela Franklin),the strongest of the lot, ultimately sees through her.

Franklin is marvelous, and holds her own against Smith's brilliant, biting, flamboyant performance. Smith's husband, Robert Stephens, is very good as the art teacher who loves her in spite of himself; Celia Johnson is formidable as the headmistress; and Gordon Jackson, as the overwhelmed, good Mr. Lowther, is wonderful. Each makes a strong impression.

Ultimately, though, the role of Jean Brodie is a beautifully constructed one, and as played by Maggie Smith, is the center of the film. I saw Smith in person in "Lettice and Lovage," and it remains one of my all-time great nights of theater. I laughed until my face hurt, and then at the end, the character has a serious monologue - and you could hear a pin drop. What a privilege to see this actress anywhere and any time, in any medium.

What a great film! I love Maggie Smith, so I wanted to see The Prime of Miss Jean Brodie. And I wasn't disappointed. The cinematography and production values are top notch and the script is great. The story is also very charming, the opinions are politically incorrect in a sense but done with such charm and innocence, while the direction is done with consummate ease. The acting is marvellous across the board- Maggie Smith is superb and thoroughly deserved her Oscar, but I also feel Celia Johnson was overlooked, for she was every bit as good as the disapproving headmistress. Robert Stephens, Gordon Jackson and Pamela Franklin are also very impressive. Overall, it is a truly great film, and certainly one of Smith's best. 10/10 Bethany Cox

The Prime Of Miss Jean Brodie hit an entertainment trifecta so to speak. A successful novel by Mary Spark, a successful Broadway play with a 379 performance run in 1967-69 and finally an Academy Award winning film, you can't do better than that. Not to mention the Tony Award it won on Broadway for Zoe Caldwell. The starring title role is a choice one, it garnered both a Tony and an Oscar for the two different actresses who played it.

On screen once you see Maggie Smith play the headstrong teacher Jean Brodie from a girl's school in Scotland in the Thirties you will not forget her. If you've seen the Alfred Hitchcock classic Rope you have some idea what Jean Brodie is all about. In Rope James Stewart plays an iconoclastic teacher who talks about superior beings and later on he sees what kind of influence he's had on impressionable youth at the fancy prep school he teaches at when Farley Granger and John Dall do a thrill killing because they've convinced themselves they're somehow superior.

Stewart's students do damage to others, Maggie Smith's charges do damage to themselves. Smith's students drink a little too deeply from her advice about being adventurous women and exploring the world. She's also an admirer of 'superior people' who become leaders and her example is Benito Mussolini in Italy who was legendary for making the trains run on time in his country. She also encourages her students to explore their sexuality, initiate themselves with an affair with an older man, all in the name of becoming worldly and modern females. That does not sit well with principal Celia Johnson who vows to get rid of Smith. In the end Johnson has ample ammunition to do the job. Young Jane Carr as the naive girl who takes Smith all too seriously goes off to Spain to fight in the Civil War there. Carr's brother is already there, but Carr listening to her teacher extol the virtues of that superior leader Franco goes and enlists on his side. She gets herself killed in Spain.

But not before Pamela Franklin decides to lose her virginity to art teacher Robert Stephens who Smith was involved with. She also becomes a sadder and wiser girl way too young. But she delivers some really biting lines at both Smith and Stephens, exposing the pretensions both have.

One thing that American audiences might not get is a small bit where Smith covers the portrait of Great Britain's Prime Minister at the time, Stanley Baldwin. Baldwin was the Tory Prime Minister in his third ministry at this point and he was first elected with the exciting slogan of Safety First. That could mean many things, but what it was taken by the British public to mean at the time was a calm and quiet leadership, a British version of Calvin Coolidge. Hardly the kind of guy that Jean Brodie would admire like Mussolini or Franco.

Jimmy Stewart finds out and realizes just how his philosophy has effected his pupils, but for Miss Jean Brodie she remains absolutely clueless to the end. Nevertheless Maggie Smith's bravura performance of this clueless teacher won her a deserved Oscar.

The Prime Of Miss Jean Brodie also got an Oscar nomination for Rod McKuen's song Jean in the Best Song category. But the Academy voters gave the award to Burt Bacharach and Hal David for Raindrops Keep Falling On My Head. They were clearly the best songs in 1969's field.

Though Maggie Smith got the Oscar a lot of the other performances were also unforgettable. Celia Johnson, Pamela Franklin, Robert Stephens and Gordon Jackson who played another teacher that Smith was involved with are memorable, you will not forget Jane Carr as the touching and naive young girl who dies in Spain trying to impress her idiotic teacher. She should have been nominated herself in the Best Supporting Actress category.

Jean, Jean, you will not forget clueless Jean Brodie once you've seen the film.