Best screenplay in Venice? Looks like the "Titane" syndrome hit Venice as well. There is a misunderstanding between empty provocation (ahem, to call it someway) and quality. This screenplay was based on some (just some) good ideas but was wasted away, falling into chicles written by someone who thinks to know the country he's living in watching the brutes from his hivory tower of Roma Nord "that was like Vietnam", in his own words. The best thing about this movie it's the fact that the director/actor is the son of another famous director and a writer. He would not have done this movie nor won the prize if he was the son of a butcher or a milkman. That's Italy, yeah, indeed.

One of the first films after the reopening of the cinemas.

I am assuming that I had zero expectations from the start.

Not a bad debut.

Unfortunately, however, from the first viewing I have not received many things.

A very confusing start.

Very confusing and nonsense details and details.

Very wide and frantic shots.

Very nice transitions with audio play.

In fact, the well-kept audio department made me very happy.

Unfortunately, however, many scenes with camera and crane movements are very nonsense.

The plot in general I can't judge them much more, but the final scene is an enigma, so it still doesn't happen.

Almost sufficient onset but not enough.

-Antonio.

As usual wealthy radical chic family and the proletarians, indeed fascist petty bourgeois but true people.

A narrative that the Italian right has been carrying out for decades

Nepotism remains a scourge for Italian artists.