Some films actually play more sensitively on the small screen of home viewing than when they are achingly spread across a large theater screen where all of the flaws show. For this viewer such is the case for THE MAN WHO CRIED: reduced to the intimate state this little film carries much more weight. Sally Potter wrote and directed this homage to the effects of WW II on Europe and in doing so created some memorable characters and deft images that linger.

1927, Russia, and a Yiddish singer father (Oleg Yankovsky) sings to his beloved daughter, knowing of the impending gloom that seethes over Russia. With his family's interests at heart he flees to America, and encourages his daughter Suzie (Christina Ricci) to follow. Politics knock and Suzie's attempts to join her father results in her landing in England where she is accepted as a foster child by an English couple who try fervently to rid Suzie of her Jewishness for her protection.

Time passes and Suzie moves to Paris to earn money as a singer. She meets fellow Russian ex-pat Lola (Cate Blanchett) and the two sing in a Parisian theater until they are invited to join the chorus of an opera company headed by Felix Perlman (Harry Dean Stanton) and starring the famous Italian (fascist) tenor Dante Dominio (John Turturro). Suzie encounters a gypsy Cesar (Johnny Depp) and falls in love. With the advance of the Nazi troops toward Paris, the opera company fragments, the threat of Jewish and gypsy annihilation becomes a potent force, and Suzie and Lola manage to book passage on a boat to America. In America she searches for her father only to find him advanced in years, with a new family in tow, and critically ill. The full circle of the man who cried comes in the quiet of the hospital room, echoing songs of happier times.

Sound sappy? Well, it sort of is, but so much of the plot and script problems pale in the manner in which the film is presented. The actors are solid (the range of accents demonstrates a lot of coaching) and some are outstanding: Cate Blanchett, John Turturro, Johnny Depp, and Christina Ricci in her most sensitive role to date. The music is a mélange of Yiddish songs, operatic arias and original score by the highly regarded serious composer Osvaldo Golijov! The cinematography by Sacha Vierny is simply breathtaking, whether in the bleak blandness of Russia or the gaudy theatrics of Paris. In all, this is a beautiful film to watch and to hear, and that says a lot these days!

Under the yoke of persecution, people-- collectively or individually-- will find a voice, a way to communicate their plight to the world, to anyone who will listen. Sometimes the whole world will hear that cry, but often it will fall on deaf ears. `The Man Who Cried,' written and directed by Sally Potter, is just such a story, of a people-- Jews-- unimaginably persecuted and attempting to find their voice, that common expression of their suffering and turmoil. And, as is wont to happen in extreme situations, that expression will manifest itself in terms that are universal and defy the barriers of language. The `Man' in this story can be found in hu-MAN-ity, and his cry can be found in the common expression of song: In the aria of the opera, in the songs of the gypsies camping on the outskirts of Paris, or in the a capella intonations of a young Russia girl, a Jew, exiled from her home and adrift, alone, in a world of incomprehensible confusion.

The story begins in Russia, 1927; a man (Oleg Yankovsky) is forced to flee the country for America, leaving behind his young daughter, for whom he hopes to send later, once he is settled. Very soon, however, the preadolescent girl is forced to leave, as well, and winds up alone in England, at a school, where she is given the name `Suzie,' and, being an outsider, suffers the taunts of her peers. And through it all, what keeps Suzie (Christina Ricci) going, is the thought that some day she will be able to join her father (from whom she has not heard since his departure from Russia) in America. In the meantime, Suzie finds solace in singing, while her personal odyssey eventually takes her to Paris (at a most inopportune time for a Jew),where she becomes involved with a dancer named Lola (Cate Blanchett),a renowned opera singer, Dante Dominio (John Turturro) and an enigmatic gypsy, Cesar (Johnny Depp). Now a young woman, Suzie's dreams of America have diminished somewhat, but as the Nazi war machine begins cutting a swath across Europe, her thoughts, with renewed fervor, yet mingled with doubt, turn again to the possibility of joining her father in America.

As with her previous effort, `Orlando,' in 1993, Sally Potter had a definite vision of how to approach and present her story. Unfortunately, she seems unable-- or unwilling-- to share that vision with her audience. The story itself is interesting, if not original, but her disjointed, abstract methods of presenting it make it too obscure to embrace. On the surface, what some may initially consider an imaginative rendering of the material dissolves under closer scrutiny, and the artistic, abstract presentation is revealed as nothing more nor less than the effects of awkward transitions that defeat the very vision Potter was attempting with this film. The `transitions,' in fact, which are so vital to the telling of the story, are actually not so much transitions as they are lurches or jumps, which dramatically distorts the flow of the film. Add to that the lack of character development or delineation, as well as Potter's inability to maintain any tension whatsoever, and the result is a film that is emotionally uninvolving and, at best, unapproachable from the standpoint of the audience. Visually, it has it's moments, especially in the silent exchanges between Suzie and Cesar, but they are simply too few and far between to sustain any interest. And it's unfortunate, because Potter had all the tools with which to work, but didn't know what to do with them.

The performances, too, suffer the same fate as the presentation of the film. Ricci looks stunning-- very reminiscent of a young Elizabeth Taylor, in fact-- and her performance is the highlight of the film; Suzie, at least, is believable. Ricci does well with the material she is given-- which isn't much-- and her lack of dialogue and extended moments of silence may mask, somewhat, the ambiguity of the character. She is wonderfully expressive, however, which at least adds a touch of mystery to Suzie, who because of Potter's lack of attention is not nearly as sympathetic a character as she should be. Ricci has developed a powerful screen presence, quite apparent though unemployed in this film, and hopefully in her next project she will have a director who knows how to use it.

Like Ricci, Cate Blanchett does the best she can with the material, but under Potter's unsteady hand Lola seems out of step with her environment, and despite Blanchett's best efforts comes across as more caricature than character. She certainly tried, however, and attempted to get more out of Lola than was humanly possible. A poorly written stereotype, there was nothing Blanchett could do to save herself, or the character, with this one.

John Turturro suffers the same fate, only more so. Without the necessary guidance, he seems to have a hard time immersing himself into Dante's skin. It's a good effort, but Turturro as Dante is like putting a square peg in a round hole; he just doesn't fit. And the singing voice provided for him defies credibility.

Depp, as well, seems at odds with his character, Cesar, though he suits the part of the silent, brooding gypsy quite well. Again, it's a case of being all dressed up with nowhere to go. The character was not so much poorly written as too ambiguous; to be effective (as he could and should have been),Cesar simply needed some direction, and it was not there.

The supporting cast includes Harry Dean Stanton (Perlman),Hana Maria Pravda (Grandmother) and Claudia Lander-Duke as young Suzie (the best bit of casting in the film; very credible as a young Ricci). The most positive thing that can be said of `The Man Who Cried' is that it had such potential. Alas, it was never tapped; and you're left with the thought of what could have been. I rate this one 4/10.

The Man Who Cried is a story about a young jewish girl Suzie(Christina Ricci) who during World War II, get's seperated from her father at a young age, and goes on to live in england, where she becomes a singer/dancer and starts working in a theater. Suzie meets Lola(Cate Blanchett),a russian woman who also works in the theater and them two become friends and roomates. One day, Suzie falls in love with a very handsome gypsy Cesar(Johnny Depp),and they become lovers. All Suzie has left of her a father is a faded picture and she still is searching for him, hoping she will reunite with him one day. This was a very beautiful movie, the characters didn't talk to much, but you could understand everything that was going on because they were showing so much emotion. The music was great too and the whole movie was just wonderful. Christina Ricci is so beautiful, you won't be able to keep your eyes away from her. I would give The Man Who Cried 9/10