Jules Verne wrote about 80 novels as well as plays and short stories in his career. He began writing in 1854 with a short story called "Master Zacharias, or the Clockmaker's Soul". It was the first time he talked of the negative side of progress - the evil that results from some discoveries or inventions when they fall into the wrong hands. This becomes a running theme in his novels: Captain Nemo in TWENTY THOUSAND LEAGUES UNDER THE SEA, or Robur (from ROBUR THE CONQUEROR and it's sequel, THE MASTER OF THE WORLD) are two of his best examples of this them. Kongre, in THE LIGHTHOUSE AT THE EDGE OF THE WORLD, is another.

Verne was so prolific that when he died in 1905 he left a dozen unpublished novels and stories that were not fully published until 1910. They include some of his best writing, such as THE BARSAC MISSION (partly written by Verne's son Michael),THE SURVIVORS OF THE "JONATHAN", THE PURSUIT OF THE METEOR, THE DANUBE PILOT. All of these dealt with science, but also dealt with political systems, and economics, for Verne was interested in all the problems facing modern man. THE LIGHTHOUSE AT THE EDGE OF THE WORLD was the last novel that was published in Verne's lifetime. It does not deal with the political questions or economic ones that perplexed him, but seems to go back to his potboiler period, when he was turning out stories for money while considering better stories for later publication. But nothing Verne wrote is without interest. Rereading THE LIGHTHOUSE one sees what the subtle point is in it. It is the study of how the ego of a villain can prevent him from escaping retribution.

Kongre (renamed Jonathan Kongre) is one of the last pirates in the world of 1900. He and his gang find a damaged boat and repair it. They sail it across the Pacific, and reach Staten Island, a small island in the Straits of Magellan controlled by Chile. There they find a lighthouse with a crew of three men. They manage to kill two of them, but the third one (named Vasquez - he's from Chile, remember),hides on the island. Kongre and his men decide that they should prepare to leave the island shortly, before the Chilean Naval relief boat returns in three months to pick up the lighthouse crew. But first they will wreck any boat that comes to the passage, and increase their ill-gotten gains. But the key to the novel (and it is not in the movie) is that Kongre's right hand men (Carcante and Vargas) keep urging him to pack up his supplies and wealth and head to Asia where the money can be divvied up and everyone separate in safety. And each time Kongre won't do it.

Initially it is pure greed. He wrecks a boat, and massacres the crew (a scene that is done in the film). The sole survivor is an American, John Davis (the name became Denton in the film, except that it was given to the character of Vasquez). Now with an ally (and not a drunken one, as in the film),Vasquez starts sabotaging Kongre's activities on the island. Carcante keeps suggesting leaving, but Kongre (unused to someone annoying him successfully) keeps delaying in order to catch Vasquez and Davis. The end result is that when he thinks he has them cornered, the Chilean boat appears to sink his craft, kill most of his crew, and confront him. Kongre commits suicide to avoid capture.

Much of the mayhem of the movie (with Denton picking off crew members one at a time) is not in the book. Nor is there any female character in the novel (a rarity in most of Verne's stories - he could be quite a feminist when he wished). The egotism of "Jonathan" Kongre is well shown by Yul Brynner's performance, but the subtlety of that trait is lost. The writers presumably did not think the audience could appreciate it. Kirk Douglas does well enough as Denton, but his singlehanded success (Vasquez and Davis work together well to the end of the story, unlike Denton's ally who is killed by the pirates) seems unlikely. The bestiality of the pirates is well shown in the movie, particularly a singularly tall actor who in one scene wears women's clothing to particularly unsettling effect. The film is not a bad minor adventure film, but it could have been better if they had stuck to Verne's theme.

A lighthouse circa Cape Horn is cared by a keepers(Fernando Rey , Massimo Ranieri, Kirk Douglas). A gang of pirates attacks the lighthouse .The pirates(Aldo Sambrell,Jean Claude Drout, Tito Garcia, among others) are fiercely commanded by Kongre(Yul Brynner). Handsome hero named Will Denton(Kirk Douglas) with only company a little monkey ,suffering misfortunes for the conditions in which unlucky is forced to exist. Denton soon realizes that the island in the base of pirates who lure ships to their doom on the rocky coast and arrange shipwrecks(appear castaways as Samantha Eggar and Renato Salvatori) for profit . Denton discovers the truth and confronts Kongre in a fight to death.

This is an enjoyable adventures tale with tension, suspense, thrills and good action scenes. Some fierce hand-to hand combats and pursuits scenes will have you on the edge of your armchair. However the ending is some ridiculous, unconvincing and overblown. Spectacular landscapes shot in Spain : Cadaques and Manga Mar Menor, great location-footage of both locations, the Spaniard coast is the best thing about movie. Duo starring is frankly extraordinary. Kirk Douglas gives vigorous physical performance, he's magnificent as individualist, stubborn hero, such as ¨Spartacus, Vikings,Ulysses and 20000 leagues under the sea(also by Jules Verne)¨. Impressive Yul Brynner, as usual, playing exotic roles, such as ¨Taras Bulba, Salomon, The buccaneer and King and I ¨. The film displays a colorful cinematography by Henri Decae and Cecilio Paniagua , furthermore evocative musical score by Piero Piccioni. The picture is regularly directed by Kevin Billington. This is a highly agreeable movie and suits marvelously . I can recommend this work to everybody who enjoy good adventures and spectacular maritime outdoors, however no for small kids by violent and realistic scenes.

Having fond memories of watching this as a kid, being one of the first VHS I had gotten hold of (in the mid-1980s),I guess I'm more partial to it than would have otherwise been the case; a measure of my impatience to revisit this over the years is my having recorded it off of Italian TV, almost acquiring it as DivX and eventually coming across a copy of the Image DVD within the space of a week! Even so, reviewing the film now with an adult perspective clearly exposes its essentially flawed nature.

This was a typical (and typically misguided) international venture of the time, adapted from an obscure Jules Verne tale and roping in Hollywood veterans – Kirk Douglas (who even produced!) and Yul Brynner – in an effort to drum up sufficient box-office receipts (this was yet another effort by the Salkinds, who were responsible for SANTA CLAUS[1985], another very recent re-acquaintance: by the way, I've just recorded off Italian TV, dubbed and regrettably panned-and-scanned, their star-studded version of Mark Twain's THE PRINCE AND THE PAUPER [1977]). Anyway, the film's thin plot of a lighthouse keeper (Douglas, still athletic at 55) combating a band of pirates led by a bored-looking Brynner is stretched for a hefty and slow-moving 129 minutes (which is 9 longer than the official duration given on most sources!). Even if I hadn't checked this out in 20 years or so, I still recalled some of the imagery involved – such as Douglas hanging upside down from the lighthouse tower, or his showdown with Brynner (which ends in a fire)…to say nothing of those indelible (and unmistakably European) faces, some of whom I've come to know by name in the interim, of Brynner's sinister cutthroat cohorts.

The rest of the cast includes Samantha Eggar (ill-at-ease as a shipwreck victim who unwittingly becomes an object of contention between the two male stars: a sure indication of how perfunctory the role was to begin with is that she's ultimately raped and murdered, with not even the hero bothering to do anything about it!),Renato Salvatori (as another survivor who befriends Douglas but, when finally caught by Brynner and his men, is painfully skinned alive!),as well as Fernando Rey and popular Italian crooner Massimo Ranieri – both of whose contribution is brief, being literally done away with as soon as the villains make their first appearance! While the film's tolerable enough as lowbrow epic adventures go, one can't really call it entertaining in view of the seediness and sadism on display; that said, the thing does become unintentionally hilarious with the clichéd flashbacks to Douglas' past as a gold-digger in the Old West, and especially the accidental slipping (almost at the cost of his life) of Brynner's wild-eyed, long-haired, right-hand man when engaged in an impromptu campy dance in drag!