Evan Rachel Wood has finally found the role that will define her as the most talented actress of her generation, a role so demanding in its nature that it requires her to show both the details in the everyday life of teenagers and the intense emotional turmoil at the core of Diana's nature.
The film balances the duality of life: its beauty and frailty, its highs and lows, the precarious balance that every human must deal with while facing adulthood. Diana is a superbly written character, one that is not simple in its nature, but detailed, organic portrayal of a girl who has too much fire in her to help her fit in, but who ironically longs what her best friend has. She is not complete unless she spends time with Maureen, and there is true, genuine affection between these two girls. They know each other's dreams, troubles, hopes, and disappointments. The beauty of the film is how natural the dialog flows as we reach the surprising ending.
In general, the film is a masterpiece, a work of art that explores the possibilities of life, the repercussions of a single moment, the way, we must make choices and determine what we think might be best for us, and yet, what if, we had chosen differently. This is a movie that turns clichés upside down, giving us a new perspective on how refreshing storytelling can be if approached with a original design. Superb photography and a haunting score add to the overall effect, but it all rests on the shoulders of a very talented young woman, a girl who can tell us stories in seconds with just a look... and she brings to mind those cinema stars of the past, before CGI started stealing our creativity and numbing our minds and hearts.
"In Bloom" is bound to move you beyond tears because it appeals to both the heart and the mind, never allowing us to forget how precious life can be.
The Life Before Her Eyes
2007
Action / Drama / Fantasy / Mystery / Thriller
The Life Before Her Eyes
2007
Action / Drama / Fantasy / Mystery / Thriller
Plot summary
A dramatic thriller about Diana, a suburban wife and mother who begins to question her seemingly perfect life--and perhaps her sanity--on the 15th anniversary of a tragic high school shooting. In flashbacks, Diana is a vibrant high schooler who, with her shy best friend Maureen, plot typical teenage strategies--cutting class,fantasizing about boys--and vow to leave their sleepy suburb at the first opportunity. The older Diana, however, is haunted by the increasingly strained relationship she had with Maureen as day of the school shooting approached. These memories disrupt the idyllic life she's now leading with her professor husband Paul and their young daughter Emma. As older Diana's life begins to unravel and younger Diana gets closer and closer to the fatal day, a deeper mystery slowly unravels.
Uploaded by: FREEMAN
Director
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Movie Reviews
The Heart is Not The Strongest...
Waste of time and good actors
This is a terrible movie. Even if you are a fan of the talented Evan Rachel or Uma it's just so bad it's not worth it. The story is weak. Without the voyeuristic need to see the Columbine like shooting - there is really little to draw the viewers attention.
What a badly written story. The flashbacks are way too often - every few minutes. Even though the ending twist is clear - it's a disappointing and annoying end - so you feel you wasted your time.
The acting is quite good. Watched this cause I'm a fan of Evan Rachel & Uma. Evan looked really pretty and acted well. Eva Amurri is a little too unattractive in a distracting way she doesn't have the star quality of her mother. Uma was a bit haggard but acted well. Just feel terrible that such talented actresses were associated with this terrible endeavour.
Time Stops with Trauma: Flashbacks and Flash Forwards
Laura Kasischke's intelligent novel 'The Life Before Her Eyes' has been brilliantly adapted for the screen by Emil Stern, and with the skills of director Vadim Perelman, this underrated movie in the theaters may find a wider appreciative audience in this DVD format. It is a film that challenges the viewer to think, to piece together the evidence, and to come to personal conclusions about the meaning of the story.
Diana (Evan Rachel Wood in an outstanding performance) is a 'loose girl' in her highschool who happens to be best friends with her total opposite, the moralistic virgin Maureen (Eva Amurri). While sharing thoughts and gossip in the school's bathroom they hear gunshots and rapidly become victims of a wild student's killing spree, terrorizing the school. The killer enters the bathroom, asks the girls to decide which one of the two will volunteer to die, gunshots blaze and we see Diana lying on the floor of the bathroom while Maureen shrinks beneath the sinks: the last gunshots are apparently the killer committing suicide.
Flash forward 15 years and Diana (Uma Thurman) is the beautiful wife of a professor (Sherman Alpert),an art history teacher, and mother of young Emma (Gabrielle Brennan). There is something not quite real about the atmosphere: Diana lives in fear and grief (?Post Traumatic Stress Syndrome?) and despite her 'perfect' surroundings, she is ridden with anxiety. When asked by a friend if she is going to attend the 15 year Memorial for the school shooting event Diana says she hasn't decided. What follows is a series of flashbacks allowing us to fully understand the young Diana's motivations and impulsive behavior and her close relationship with Maureen before the tragedy changed their lives. But gaping holes in the history of the event and the subsequent years ultimately force the viewer to decide what actually happened in the past: are we witnessing reality or imagined dreams - and it is left to every viewer to decide the facts of the story for themselves.
Uma Thurman is brilliant in this challenging role and Evan Rachel Wood is equally stunning as the younger version of Thurman's role. The entire cast contributes an ensemble performance that keeps us involved in this thriller from opening frame to closing credits. Vadim Perelman's approach to the story offers subtle, visually magnificent images that provide clues throughout the film about the division between real and imagined. This is a fine film on every level. Highly recommended. Grady Harp