Following the death of mom, Rose (Miranda Cosgrove) and her father (Donal Logue) move from sunny California to snowy Chicago. Dad is married to his work. Rose takes psychotic meds and has trouble with the house with a history. She has dreams, hears noises, sees stuff move, has issue with the neighbors, stuck doors, and a doll's head that likes the view in different rooms of the house.

The film builds slow, in fact a bit too slow as I grew bored over stuff moving. When we figure out the mystery, which wasn't too hard to do, we realize the film is one of an overcrowded genre which gave us better productions. This was done perhaps for the kids who grew up with Miranda and never saw those other films. Not a bad film, but that will bring deja vu to seasoned viewers.

Guide: No F-bombs, sex, or nudity.

When something horrible has happened at a house ... you'd expect people not lining up to go there ... and live there. On the other hand, you do expect anyone selling/renting those houses, not to tell people anything about that. I mean in movies you don't expect them too ... to give the characters some modicum of respect - and so that the viewers will not hate them from the start.

This is quite the mediocre horror movie overall and apart from the cliches more than a little bit predictable. You may like it more than others and it is well done technically speaking ... but there is not much more to it.

This movie is about a young college girl who lost her mentally ill mother. The main character Rose and her father move to a new place and they have a troubled relationship as Rose resents her father for getting more work to do when her mother got really sick. The house they moved to has a history, a girl who lived there, called Rachel, went missing and was never found.

There are a lot of problems with this movie and I'm not going to comment on the cliches because I honestly don't mind cliches as long as they are well done, which is not the case.

The movie seems to try to set the idea that Rose might have the same illness as her mother, but... It's so not convincing that a lot of the father/daughter dialogue feels dumb. Which brings us to another problem: the dialogue as a whole. There is so much exposition going on it's annoying especially since the "mistery" of the movie is so obvious since so early in the movie. I mean they did a kind of nice job in the very beginning when Rose is suspicious of Lila's father, but then they just made it all go away when Rose accused the guy in the middle of the street and for some weird reason instead of being really mad at a girl - who you just talked once - for doing that to your father, Lila explains everything to Rose, even very personal things and continues to be good friends with her. It's just so unrealistic and that pushed me right out of the movie. And it's sad to watch it after that because you can see that they are trying to make you confused about who is the person that killed Rachel when you already know ages ago. And I am a person who is AWFUL at figure this things out in movies.

Anyway, I think it could have been a nice cliche horror movie, but its incredible predictability killed it.