Admittedly, many of the films that I give a rating of a ten out of ten to on this website are not necessarily deserving of such an honor, and I do abuse such a privilege because I can always find something wrong with even my favorite films (with a couple of exceptions). However, "The Immortal Story" is among the few films that I have seen that seems to have absolutely nothing wrong with it. Orson Welles crafted this masterpiece, shot for shot, in a way that flows with an almost poetic rhythm. Swimming through the dark shores of "The Immortal Story" is a disturbing, twisted, engaging, sad, entertaining, and unique experience.
Based on a work by Karen Blixen (the woman behind the novel "Out of Africa" as well as the novella that inspired one of my favorite movies, "Babette's Feast") this is a strange story of awkward and borderline surreal events when an elderly and powerful trader played by Welles himself declares his preference to facts over fiction, and requests to recreate a tale he hears so it could have truly occurred. The results are quite unconventional and inexplicably melancholic. By the end, I nearly shook with a strange feeling of sadness; this movie isn't explicitly depressing, but the subtlety only makes it more gloomy and affecting to the (at least REMOTELY) sensitive viewer. Welles' own narration adds another cryptic layer to the tale, as each and every performance across the board is practically perfect in tone and slight awkwardness. It is a small scale project that has a limited cast and clocks in at only about fifty eight minutes and yet it surpasses a majority of today's huge, two and a half hour long blockbusters. This is an elegant portrait of eccentricity and philosophy, a film about a heavy (in both weight and mind) old man with a slightly deranged way of thinking, and this man is portrayed with all the mumbling might one could expect from one of cinema's main masters, the great Orson Welles!
The music accompanies the film perfectly as the tone of Erik Satie's great piano pieces is calm, but slightly sad, which is exactly what I would describe the film surrounding it as. This is not a ridiculous, over the top melodrama, but rather a slow, Bergmanesque tale of bizarre tragedy. Mind blowingly perfect in every way, "The Immortal Story" is a stream that runs with pure delight, but not in the conventional sense for the delight here is made up of moments that will likely depress and destroy, but also provoke.
The Immortal Story
1968
Action / Drama
Plot summary
The Portuguese colony of Macao in the 19th century. Mr. Clay is a very rich merchant and the subject of town gossip. He has spent many years in China and is now quite old. He likes his clerk Levinsky to read the company's accounts to him at night for relaxation. Tonight Mr. Clay recounts a true story he heard years before about a rich man who paid a poor sailor 5 guineas to father a child with his beautiful young wife. Levinsky says that's a popular old sailor's legend and not true. Mr. Clay has no heir for his fortune and no wife either. He resolves to make the story true... Levinsky approaches Virginie, another clerk's mistress, and strikes a bargain for 300 guineas. Now to find the sailor...
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one of Welles' greatest and, unfortunately, most obscure films
Immortal poetry
The more I watch this movie, the more I love it. It's a gift of a genius who proves how easily Literature and Cinema can be mixed in a powerful way. Although is short and barely commercial, is a gem, a masterpiece of colour, rythm, music and words. The lasts shots, are simply magic.
A cinematic novella; Welles marking time...
Director-star Orson Welles also adapted Isak Dinesen's rather pointless book about an aged millionaire recluse living in China who tells his employee of an incredible story he heard while in the service regarding a rich, dying man, his terrible wife and a sailor-stud. The employee explains that this tale is just a legend, but the millionaire aims to make it fact. The sexual implications in the narrative aren't ignored by Welles, though they are tip-toed around (probably due to the restrictions of 1968),and when Welles as the "old gentleman" finds himself the perfect boy to complete his plan, it's hard not to smirk when he calls the bottle-blonde "a fine looking sailor" and then offers him money. Who needs Jeanne Moreau when these two are hitting it off so well? ** from ****