An awful British comedy and sub-gangster effort mixing in bits and pieces of the hooliganism genre. It's overstated and overdone, focusing exclusively on lowbrow humour and content at the expensive of originality and wit, and it's absolutely pitiful as a result. Hateful characters doing stupid things, laboured comedy which feels repetitive and routine, and not a second of it funny in any way, shape or form. The worst thing about this is that there are some solid and talented actors reduced to appearing in it.

First of all, most of these user reviews are made by friends of the filmmakers ( Yes Lucas Penn, i'm talking to you. You're listed as one of the cast !!!!) These guys obviously want to make a good impression On Nick Nevern and Jason Maza but please. You are fooling no one The film just simply ain't that funny. don't waste your money. They're trying to do what Shaun of the Dead did for zombie movies but they have fallen flat on their muggy faces. They are obviously trying to get as many people to watch this by putting out a massive campaign on Twitter and Facebook but it is not enough to mask the fact that this film isn't as good as it should be

STAR RATING: ***** Saturday Night **** Friday Night *** Friday Morning ** Sunday Night * Monday Morning

Danny (Jason Meza) is the off-spring of his father, a once legendary football hooligan who has disappeared from his life. After being expelled from school and wanting more out of life, he crosses paths with Dex (Nick Nevern, also directing) another big name footie hooligan who's just been released from prison. Together, they go about re-uniting the old firm and trying to restore their former glory, but those days may be well behind them.

Even after they really ceased to hold their cult appeal, these British gangster/firm films still get put out a lot in the direct to DVD market, with a load of no name or little known actors in the lead role. So frequently do they appear, it seemed a fitting idea to make a film lampooning them all, and Nick Nevern's film is certainly thorough, sending up everything from Green Street, to more big time stuff like Goodfellas, only rarely to very funny result. It plays too much like a standard hooligan film, from the dialogue to the set up, and at times feels even more depressing than the usual such stuff.

Hyped up a fair bit by social media, with many of the cast and crew and their families allegedly behind it, it's all too evident why this enjoyed what could only have been the briefest of cinema visits. *