This was what introduced me to the Lord of the Rings, back in '77, when I was in 6th grade, it got the kids in my class to reading the trilogy and etc. Personally, I was all up for watching this, in the fall of '77, then the local TV station ran something else(MULLIGANS' STEW?!?) in its place. We were crushed in my family. I DID buy the record/sound track instead and listened to it to Death. Loved it-the voices and artwork both.

Didn't actually See this til '85...though had caught parts here and there...my thinking then and now is the same--Rankin-Bass did a fine job with it. Yes its done by Japanese animators, and No it isn't outta Allen Lee or whomever else' kind of drawing. But they stuck some interesting spins on what elves, dwarves, Wizards, Dragons and Hobbits look like, along with trolls and whatever, personally I found it to be interesting.

And how can you knock the voices-I mean-John Huston? Hans Conried, Cyril Ritchard, Theodore Bikel, Richard Boone, Don Messick, Orson Bean-and last but not least-Otto Preminger. Some legends here guys, esp. Otto and JHuston. I loved it! Rankin-Bass did make it more for kids, definately, and took some cuts here and there-Beorn and the Arkenstone bye-bye, for example, and no one is claiming the animation is up to, say, 'Aladdin' standards, but on its own, it works fine.

*** outta ****, pretty good, actually.

And Where is Leonard Maltin's review? somehow he missed this one...

This is a great film filled with adventure, excitement, wonder, and, believe it or not, action (it was 1977 and swordfights and stabbing giant spiders was still o.k. for wee folks).

I don't think I need to summarize the widely known plot of The Hobbit, which is very much hewed to by this film. That's perhaps one of the greatest characteristics of this film: its commitment to accurately relating the plot of the novel. I can't think of any glaring revision and only one omission (spoiler: the Beorn episode before Bilbo and the dwarfs enter Mirkwood is left out).

To begin, there's some strange quality about Rankin and Bass's animation style. It has an authenticity, a kind of realism, that other animation styles (say, for example, Disney's style in The Black Cauldron),completely lack. There's a strangeness to the way certain things are drawn. For example, the wood elves. Their legs are really long. They have green skin. Their features are inhuman: wide cheek-bones, flat brows. In juxtaposition to the humans that appear in this film, they look completely different; indeed, they look like a completely different species.

The voice acting, too, is wonderful. John Huston as the voice of Gandalf is absolutely amazing. His smoky, intense voice relates a sense of wisdom and knowledge of other worlds. There's a kind of tone to his expression, a steadiness that makes it seem as if he is reciting his dialog or expressing an incantation as opposed to merely speaking. Usually this would probably be chalked up to bad voice acting, hewing too closely to "reading the script" as opposed to "acting the script". But, for Gandalf, it truly works.

Other memorable voices are Brother Theodore's voice for Gollum. Brother Theodore shows up in a lot of Rankin and Bass's productions. His strained, high accented voice, sounds exotic and otherworldly. And his screaming of, "Baggins! We hates it! Forever!" kind of creeped me out as a kid. I remember him as the assistant, Ruhk, to Mommy Fortuna in Rankin and Bass's famous adaptation of Peter S. Beagle, The Last Unicorn.

The music is worth mentioning. It has a very "1970s folk musicy" feel to it that I love. Many of the songs are adaptations of songs written by Tolkien (lyrics only, of course); and to this day, when I'm reading through The Hobbit, I read the lyrics with those melodies in mind.

A more subtle characteristic endears me to this film: its color palette. I don't know if it's just my old VHS, but there is a subdued quality to the film's color palette. The range of colors is softer, more natural, than, say, the intense variety of a Disney film, even an early one like Snow White. I'm not going to try and explain why, but I prefer this subdued color palette. It truly creates a wonderful effect. An important character in The Hobbit is the wildland itself; and when the large natural vistas are portrayed—forests, river valleys, the desolation of Smaug—their coloring and the fine detail of their rendering makes them feel authentic.

The best compliment I can make of this film is that my wife and I, both adults, fall asleep to this film whenever we've had a stressful day. It's an enduring source of comfort, a true "safety-blanket" of a movie, that, through some strange alchemy of the right style of animation, the right voice actors, and the right music, truly stirs in me a sense of wonder.

When I saw this movie around 1984 it sparked my interest in the Lord of the Rings series. I thought the drawing were outstanding (the thin lines on the characters shows the animators took the time to get details correct). The songs seemed a bit silly, but I thought the directors were trying to reflect the attidude of the book. Although fans of the book might say the movie had an oversimplifed plot, I thought the directors did an excellent job condensing a 200 page story into an adventuorous hour and half movie.