This starts out with a bang, literally, and doesn't let up for the entire film. The picture zips along, whether with speedy car chases or interesting suspense, keeping the audience on their toes. We can credit director Sholder for keeping things exciting but I also suspect this was one those scripts that wasn't tampered with much (which is as it should be for most scripts, but isn't in Hollywood). For sheer level of entertainment as a sci-fi thriller, this approaches Terminator (84) - the one to beat. Some of the premise is similar, featuring an unstoppable menace. You're always guaranteed an adrenaline rush with scenes of cops firing their weapons repeatedly at someone who just won't fall down; they may slow him or it down, perhaps stagger it, but in the end they need something more than just bullets.

This pic represents a fortunate confluence of personnel and events. The two lead actors, MacLachlin & Nouri, had just reached their respective peaks in their careers and both were at the top of their game (both careers went into downswing afterward but it can't be blamed on this film). In fact, I'd venture that this film contains both their best roles. Nouri is the strong-willed earth-man cop and MacLachlan takes full advantage of his unusual persona to play an alien visitor (sort of like Jeff Bridges in "Starman"/1984, but Bridges had to try harder). The supporting cast are all great too, with many having to play two versions of themselves. Who can forget Christian as an exotic dancer suddenly gone gun-crazy? There's a lot of inherent humor in such scenes. The best and most memorable must be the one with Boyett acquiring a Ferrari in his own alien style. Just unforgettable.

Unfortunately, there was a forgettable and quite awful sequel several years later. But this remains one of the most unique, vivid alien visitor/invader films of the eighties and nineties.

I am NOT a major fan of action films, so the fact that I liked "The Hidden" is unusual. The movie is jam-packed full of explosions, gun fire, deaths and mayhem. But it also works as an inventive sci-fi movie...one that pretty much went under the radar back in 1987 when it debuted.

The film has an incredibly simple plot...when the film begins, a maniac is running amok in LA...killing and stealing as if there's no tomorrow. Soon, however, you realize this killer is NOT a typical killer...he's practically indestructible. And, when he's about to die, a disgusting alien pops out of his mouth and inhabits the next person...and begins the murder spree all over again!! However, an oddball who claims to be an FBI agent (Kyle McLaughlen) arrives to assist the lead detective on the case (Michael Nouri) and they are the Earth's best bet to stop this menace.

Despite relying heavily on action and wholesale slaughter, the film is intelligently written and original. It's also an interesting time capsule of the late 1980s...in all its awfulness and excess. Well worth your time.

This is a low budget gem that expertly mixes together the action, horror, and science fiction genres into one fast-paced, satisfying whole. It's similar to TERMINATOR 2 in that the film basically consists of a string of action sequences (with a lower budget, obviously, but no less exciting) with a little plot interspersed in between to hold things together. It's films like this that have me scouring video shelves for those '80s flicks - even though nine out of ten of them turn out to be pretty rubbish. THE HIDDEN is an obscure rarity that deserves much more appreciation than it currently holds (ie. nobody much has heard of it). I would go so far as to say it's a minor classic.

The opening credits play over some security footage of a bank heist which culminates in a violent shootout between the security guards and the robber. Things move on to a fantastic car chase through the city, where our antagonist runs over as many people as possible before crashing into a police barricade at high speed and collapsing, almost dead. Looks like a typical action film, you might think...but you'd be wrong.

Suddenly, the grossest scene of the film is upon us without any warning. The barely-living robber rises from his hospital bed and leans over a fellow patient. His mouth opens and...you guessed it...an alien slug comes out of his mouth and pops into the other man's. The special effects are actually very good here, with the models being used for the actors being so lifelike you can hardly tell that they're fake. The alien slug is appropriately gooey and disgusting, and as the box tells us, "...not for the squeamish".

From then on we watch the killer alien go on a violent anti-social rampage, swapping bodies at will like the demon in FALLEN or the electric murderer in SHOCKER. For what it's worth I love these type of films. Hot on the alien's trail are a pair of mis-matched cops. Oh no, another buddy-buddy movie you might think and you'd be right. Predictably, the film begins with our partners hating each other and then growing to respect each other. One is played by none other than Kyle Maclachlan, who does a good job of making himself as weird yet ineffectual as possible. Michael Nouri, on the other hand, is the tough, likable cop and hands his leading role well. Solid supporting actors like Clu Gulager and Ed O'Ross help to give life to the rest of the cast.

Fans of guns will no doubt be ecstatic over the dozens of bullets flying across the screen as this film progresses, as our heroes desperately try to stop the alien each time it enters a new body. There's a lot of blood spraying everywhere during these shootouts with the killer usually getting shot about a hundred times or so. I've discovered that watching Claudia Christian getting pumped full of lead as blood splashes from her body can be a very rewarding experience (I can't stand the actress, you see).

There's a real sense of momentum which keeps this film on its toes and keeps the adrenaline pumping, and Jack Sholder's direction always keeps things in the midst of the action to stay interesting. There's a homage to THE TERMINATOR when the alien goes on a rampage in a police station, ending in a great gag involving a rocket launcher. Speaking of gags, there's plenty of comedy in here too to stop things from becoming too heavy. Events culminate in a fantastic, fiery showdown which, personally speaking, I found to be totally appropriate and worthwhile. So, in a film which packs in everything from male bonding to gratuitous violence to slimy special effects, what more could you possibly want?