A little bit of James Bond in my life A little bit of Jason Bourne by my side A little bit of Liam Neeson is all I need A little bit of Die Hard is what I see A little bit of Tom Cruise in the sun A little bit of John Wick just for fun A little bit of The Shining, near the end A whole lot of clichés, I'm your Man...

Two solid hours of efficient Netflix content is what's on offer here, the action-thriller equivalent of emptiness with nothing but cliche thrillers and mediocre action.

The Gray Man is mostly a collection of tired spy tropes, directed in a muddled and baffling way, that seemingly exists to set up what seems like will be a fairly unimaginative franchise.

The dialogues were cringe and didn't excite at all. The only grace was seeing Ryan Gosling on screen. A big budget film with neither strong screenplay nor efficient set up, The Gray Man feels like a sunk ship with lots of efforts vanishing in vain.

Aside from two hand-to-hand combat scenes, the fights are a dimly-lit mess of quick cuts and bullets flying, something similar to what Michael Bay has done all over these years.

Being a big budget film, The Gray Man is a disappointment to a greater extent, considering that the project had A List actors, but a poor storyline.

My Rating: 5/10.

Rushing from place to place after opening with a colorful killing in Bangkok adds little to get us into the story.

IMHO relying on Ryan Gosling and Ana de Armas proven star qualities fails to substitute a proper establishment of their characters in this movie. Of course as many others I wondered who took all the money Netflix paid for this production but as with so many other big productions today, it's not the point if CGI, actors or travel expenses of the crew were overpriced, the problem lies in the script. The art in script writing is to build up characters and a story. If you don't know why things happen, you don't care and all the surprises and zigzags of the plot loose a lot of their potential.