This movie is a treasure and should be viewed by all serious movie fans, because there is nothing quite like it. Mansfield is perfection, Tom Ewell is his dependable funny self, plus all that music! I love Julie London's "Cry Me A River" the best. In any event, see this movie, even if the music is older than you are!

I always chuckle when comments moan about some film they review seriously which Helen Keller could tell is made to be a ridiculous comedy. Hey, like THE GIRL CAN'T HELP IT for example. How's this for the full hurricane force of the fun of it all: On Saturday June 11th 2005, as part of the Sydney Film Festival, there was a screening at the 2300 seat Sydney cinema treasurebox THE STATE THEATRE. Guess how many turned up: go on...have a guess...give up? well would you believe...... 2300 people !!! at $12.50 a ticket!! all ready to shatter the chandeliers and lift the roof in unison shrieking and howling with glee at this hilarious musical farce designed to do no more than outrageously entertain. And it did. Maybe best seen like this in a crowded picture palace of good natured punters keen to have communal cinema bliss, but I do believe it was all the rage back in 1956 as well, with Jayne doing Marilyn and Ewell leering and looking sideways. Fab deluxe colour never looked better and with a roster of glamour clad stars, all giving us their all for the FOX/Tashlin schedule it works superbly for 91 minutes of pure 50s delight. Yes it is funny! It's supposed to be! Just enjoy it. Or move to Australia.

"The Girl Can't Help It" is a '50s comedy that is also a showcase for some of the rock 'n' roll acts of the day, including Little Richard, Fats Domino, The Platters, Gene Vincent, The Treniers, and many others.

Tom Ewell plays a down and out agent, Tom Miller, hired by gangster Fats Murdock (Edmond O'Brien) to make his girlfriend, Jerri Jordan, (Jayne Mansfield) a star. Turns out Jerri feels gratitude to Fats for helping her father, but she isn't in love with him; she doesn't want to be in show business, preferring domestic things like cooking; and she appears to have no talent. She looks great, though, and in some form-fitting gowns, she draws plenty of attention, and all the clubs want to book her. Concerned because she's tone-deaf, Miller has one of the songs Fats wrote in prison (the one in the subject is but one title) "Rock Around the Rock Pile" adapted into a novelty number so that all Jerri has to do is a high pitched sound. The song is an immediate smash. Miller, however, who was jilted by his client Julie London, now finds he and Jerri have fallen for one another. But Fats is still around.

This is a very, very funny send-up of rock 'n' roll and show business, with a marvelously deadpan performance by Tom Ewell, to whom the singing Julie London, in various costumes, is always appearing while singing "Cry Me a River" - on the staircase, in the bedroom, in a bar - a great bit. O'Brien, who performs his "Jailhouse Rock" mockery at the end of the movie, is hilarious.

The real star is the flashy Jayne Mansfield, who underneath that va-va-va-voom figure, blonder than blond hair and huge chest was a beautiful woman and a good actress. Mansfield, probably hired by Fox as a threat to Monroe, figured out early on that making fun of the bombshell image was her best bet. She had a lovely speaking voice and, in serious moments, a natural way of acting. She also radiated warmth. This film and "Will Success Spoil Rock Hunter," which she did on Broadway as well, are good testaments to her work.

Lots of fun.