I set out to watch The Doll 2 with certain worries, mainly that it would follow the unfortunate and all too familiar tradition of Horror sequels that (a) are barely remotely connected to the first title and (b) are nothing but a greedy attempt to capitalize on its success. My, was I blissfully wrong! The Doll 2 does follow in the footsteps of other sequels, but not of the Hollywood persuasion, but of Asian Horror (meaning the sequel is just as great as the first if not better). First review I've seen here offered what was in my opinion very unfair criticism, lamenting how The Doll 2 was simply "more of the same". Indeed, it follows the general rules set by the first film, as a sequel ought to. That's not criticism, that's praise.

Much like the classic sequels of old (the Friday the 13th anthology comes to mind) The Doll 2 picks up right about where the first film ended. None of that "different story, different characters, different everything possible, same antagonist" equation defining most of today's Horror sequels - but an actual sequel the way it should be. The relevant characters (and cast!) of the first film appear in this one and play a significant role, but without overshadowing the new and more central protagonists. The story, plot and especially pace are also much like in the first film. Very little room to breathe as one occasion is rapidly followed by another, without wasting any screen time and without a single dull moment. In fact, I actually believe a little more build-up could have served the plot well, but the story and pace are great nonetheless. Seeing an almost two hour film and thinking "it could have been longer and still excellent" is in my opinion quite a complement.

And of course, the plot twist. I'm a sucker for plot twists, I believe they are the one thing that makes good Horror films great. But they have to be smart, surprising yet authentic and not forced and of course they have to make sense. Just like in the first film - the plot twist in this one meets all the criteria. While not as shocking and mind-blowing as in the first - it catches the audience (at least most of it) completely off guard and takes the plot to a whole new level. Well done!

Finally, the last nail in the coffin of the "more of the same" criticism - the last third of the film completely changes the rules of endeavor. The film is an emotional rollercoaster of empathy and contempt, fear and relieve, love and hate and discomfort and catharsis. While the first film was indeed great - it didn't offer these features and in such a professional and intelligent manner. Undoubtedly the one reason to prefer the sequel.

Now, to be fair, the less impressive parts. First of all, while the doll itself is quite disturbing, I still haven't decided if it's as creepy as the one in the first film. I'm actually not sure if I like it more, less or the same. To each their own, I suppose. Second, and indeed "more of the same" - an exaggerated use of blood and completely, utterly and to me annoyingly unnecessary gore scenes. I know the axiom is that Horror needs some gore, but I wholeheartedly disagree. Third, I found certain scenes to be, well, not in line with the film's general mood and simply too banal (although just one or two while the rest are right on the spot).

And finally, the bane of the first film - the blunt and ridiculous lack of basic logic just for the sake of serving the plot. People suffering deadly injuries only to shake them off and carry on as if they've received a mere papercut. I of course realize the problem with such criticism in a Supernatural Horror film - but these films too follow a set of rules which each film sets from the start. The supernatural aspects revolve around the doll and the haunting, not the characters' constitution. I realize the necessity of showing the characters getting physically hurt, but some balance was in order and things should have been made to make more sense. When you see some of the injuries you'll realize that no broken bones and not even the slightest effect of such amounts of blood loss are simply too fat fetched. Additionally, a person naturally sleeping through loud noises in their room but being awoken by screams from next door is simply preposterous. All this wasn't in any way nearly enough to spoil the film for me, it just felt silly, I can't understand why such foolishness found its way into such a great film...

All in all, I personally enjoyed and even loved 99% of what The Doll 2 has shown me on screen and taken me through, despite the aformentioned criticism. The first film was great and this one is even better. I of course describe my personal experience alone and can in no way know what other viewers' personal preferences are - you might just hate this film and curse me for encouraging you to watch it. But I do so nonetheless. It's an amazing piece of Indonesian Horror and one of the finest Horror films of this decade. Watch the first, then watch this one and join me in hoping that the third is just as good!

This sets off where the first movie stopped. And if you have seen it, you know there is more to be had. Even if you haven't seen it (the movie works don't worry),you get in there really fast. And comparisons I did to the Conjuring (or rather Annabelle) universe are even more front and center now.

Don't get me wrong, this still has its own flavor - yet the cliches will be there. And the blood is definitely going to be there. Nothing for the faint of hearted for sure. Cliches and other things will annoy you, but you have been warned so don't moan about it after ...

Following a terrible tragedy, a woman and her husband try to move past the event by having their friend over to help calm their nerves, but after a ritual, they inadvertently summon a savage spirit that begins targeting them for revenge and must rely on a supernatural specialist to save them.

Overall, this proved to be a worthy follow-up effort. One of the more enjoyable elements of the film is to provide more of the franchises' penchant for numerous action scenes and supernatural encounters. This gets off to a smashing start with the opening battle and the race to get home to stop the chilling action taking place. This frantic opening sets up some of the later supernatural antics with the doll appearing around the house or the disembodied voices leading her to dangerous locations, a great twist on the typical ploy of having the voices become the source of the scares. There's also the rather enjoyable amount of supernatural action within the final half. The start of their troubles brings about some tense moments due to the twisted use of their childish game. There's some fun with the discovery of the notes left around the house or the doll showing up in weird places that building up rather nicely, and with a diversion to an island resort that carries on the games these all set up for the final half. Detailing the body-hopping possession, chases and some outright brutal antics all throughout the house, this near hour-long series of bloody brawls, brutal beatings and supernatural action as the kind of high-energy flair needed to be highly enjoyable. Another big factor for the film is the fine storytelling here, building a nicely layered setup. The death of the child at the fifteen-minute mark gives this one the perfect launching pod to spiral her out into a grieving mother overcome with guilt. Her frayed nature and jangled nerves mean the perfect tipping point between her appearing as a real encounter or not. Almost every supernatural attack can easily be written off as the byproduct of her grief-riddled subconscious playing tricks, constantly claiming the doll is there when nothing shows up or freaking out over nothing. This ends up creating an intriguing viewpoint on grief and depression as these events bolster her guilt that caused all the great action throughout the finale. These end up being enough to hold up the film over its flaws. There are a few issues here. The biggest factor is an overlong finale that draws the film out by offering several storylines that don't need to be included. The entire cheating husband angle to explain the dolls' attitude towards him means nothing due to having no build-up at all and supposedly hinted at with a flashback we were never around for it to begin with. As well, the whole setpiece revealing the duplicity is entirely cliched with the housesitter's constant claims of doing it solely to win him away from his wife causes more eye-rolling than anything and doesn't drive any kind of sympathy towards her. The cliche antics in the rest of the film are a real problem, with killers that don't die from traditionally mortal wounds, ghosts that pop up out of nowhere or possessing the innocent to seek their revenge. These issues are what hold this one back.

Rated Unrated/R: Graphic Violence, Language and children-in-jeopardy.