In Moscow, the former conductor of the Bolshoi Orchestra Andrey Simonovich Filipov (Alexeï Guskov) is presently the janitor of the theater. Andrey felt in disgrace with the Communist Party thirty years ago for protecting the Jewish musicians and was no longer allowed to conduct an orchestra. One night, Andrey reads a just-received fax while cleaning the office of the Bolshoi's director Leonid Vinichenko (Valentin Teodosiu) and he hides the document. He learns that the Châtelet Theater in Paris has just invited the Bolshoi Orchestra to perform a concert in Paris within two weeks. Andrey shows the fax to his friend and musician Aleksandr 'Sasha' Abramovich Grosman (Dimitri Nazarov) that drives an ambulance and he decides to reunite fifty-five former musicians of Bolshoi to travel to Paris and perform The Violin Concerto in D major, Op. 35, by Pyotr Ilyich Tchaikovsky. He invites the Communist leader and former KGB Ivan Gavrilov (Valeri Barinov) to manage the orchestra and he requests the solo of the prominent musician Anne- Marie Jacquet (Mélanie Laurent) and to stay in Paris for three days.

When they arrive in Paris, Andrey meets Anne-Marie while the musicians wander in the city, partying and raising money. The unprofessionalism of the Russian musicians forces Anne-Marie to call off the concert; but Sasha convinces her to come to the theater. Meanwhile Andrey grieves the incident with the violinist Lea thirty years ago and hides a secret from Anne-Marie. What is the connection between Andrey and Anne-Marie?

"Le Concert" is a film not only for movie lovers, but mainly for music lovers. This dramatic comedy tells an adorable bitter-sweet story about losses and second chance in life through music, or better, the wonderful and awesome Tchaikovsky's Violin Concerto.

The director Radu Mihaileanu, from "Train de Vie", once again plays with tragic situations, using a witty screenplay with charismatic characters and making laugh and cry out of joy. I have seen the sequence of the concert at least eight consecutive times, full of emotion and with tears in my eyes. This is one of the most beautiful and touching climax I have ever seen in a film.

The cast is fantastic and Mélanie Laurent is awesome, giving credibility to her violin solo during the presentation. Last but not the least, this film should have been at least nominated to the Oscar. My vote is ten.

Title (Brazil): "O Concerto" ("The Concert" – not available on DVD or Blu-Ray)

Note: On 10 August 2011, I saw this outstanding film again on DVD.

It was the screening of the Japanese film Nodame Cantabile earlier this year that piqued my interest in classical music being featured on film, but I suppose it's Le Concert that sealed the deal, although this European film did exude similar sensibilities like the Japanese one in having a conductor face insurmountable odds in turning around a makeshift, rag-tag 55 piece orchestra into one befitting of the name "Bolshoi", building up to a crescendo of a finale that just begs for an encore.

Nodame Cantabile provided a lot more romantic fluff and a quick 101 introduction to classical music and its famed composers, sort of like a McDonald's way of a fast-food sampling rich musical pieces, but it is Le Concert that persisted in wanting to use Tchaikovsky's The Violin Concerto, which is considered as one of the most difficult for the violin, to center this film around it, complete with a huge and critical backstory that makes this film well rounded, and in keeping you engaged especially with a tale about passion bordering on obsession, and the redemption of the sins of the earlier generation.

But don't get me wrong that the film is solely filled with such serious themes, as it's almost comedy all of the way to its centerpiece performance. We follow the story of Andrei Filipov (Aleksei Guskov),a one time hotshot conductor of the Bolshoi orchestra who was cut down to size, and now works as the janitor in the halls of his glorious past. He chances upon an opportunity from Paris which had invited the Bolshoi, but hence decides to hijack this opportunity, and to bring his own team of musicians on a trip that they would never forget. He's a man on a mission, and you just might wonder why he would want to take such a big risk, other than the fact that the current Bolshoi orchestra is playing like crap, but it adds to the mystery of the man, and the past that he's hiding from through the bottle.

Together with best friend Sacha (Dmitri Nazarov) who's now an ambulance driver, they go back to assemble a team comprising colleagues from the past, who have each moved onto different occupations, to convince them in joining their madcap mission - to showcase their talent once again after 30 years since their disbanding. The first component of the narrative is steeped in their mission to raise funds and sponsorship, and to seek the help of one time adversary Ivan Gavrilov (Valeriy Barinov),an ex-KGB agent who had a hand in their demise, to see them through this 3 day trip through deliberate misrepresentation because of his fluency in French.

But of course things aren't exactly the same as some 30 years back, and everyone has their own personal agenda in wanting to go to Paris, and more so when they cross borders through forged credentials, complete with a whole slew of comedy of errors when they touchdown in the City of Lights. Some may find it a tad offensive when the Russians are portrayed as boorish, from their drunk behaviour to their unreasonableness in demanding per diems immediately, for services yet to be rendered, or that Jewish Father-Son team who's more interested to fleece unsuspecting victims in their get-rich schemes.

Otherwise, director Radu Mihaileanu will keep you guessing just how this group under Filipov will succeed given their disastrous start pointing to an early debacle, and more so when star violinist Anne-Marie (Melanie Laurent of Inglourious Basterds fame) start to see through their ruse and refuse to take the stage with a bunch of unprofessionals. There's a little mystery here with regards to Anne-Marie's lineage that I have to applaud Mihaileanu for his red herrings and writers Hector Cabello Reyes and Thierry Degrandi for avoiding the obvious. Herein lies what would be a touching theme of music and harmony, of how it can bring out a unifying set of emotions, which leads on to pure aural bliss in the final act that one cannot help but to clap out loud at the end, as narrative threads get resolved, even though it resembled pretty much like a typical Japanese zero to hero tale.

The Concert won the Cesar for Best Music Written for a film and Best Sound, and it's not difficult to see why. With an excellent ensemble cast, sights, sounds and of course, Tchaiskovski, this is a film that succeeded in making classical music so integral to itself, without being too stifling for the masses to be a crowd pleaser. Highly recommended, and it goes into my books as one of the best this year!

If you love music this will quickly become a favorite for you.

This movie is all about music. An orchestra conductor is given a second chance 30 years later and he definitely grabs it.

Life flows through this movie. You can detect how music mixes with life and how music is a part and at the same time is not a part of life.

Music lifts you beyond life.

I also liked the comedy parts. Life is tragedy and comedy and music encompasses it all.

Be advised that the director likes to play and the mixture between fantasy and real life is present throughout the whole movie.

Also, please note the gypsy who arranges the passport issue. In real life he is a member of the Romanian music band Taraf des Haidouks (http://www.myspace.com/tarafdehaidouksbandofgypsies). They have amazing music and you will also be treated with a small sample in the movie. He is one of my favorite characters in the movie and one of my favorite performers on stage.

I'm trying to find any downsides to this movie but I personally can't. The person who accompanied me to the cinema said it was too...soapy. I was just sorry I was not alone in my home...This is a movie where you meet yourself so you'd better not have witnesses.